view additional image 1
View in a Room ArtworkView in a Room Background
For a while yellow was the dominant color of my palate. This painting begun several years ago and recently re-addressed, attests to its influence. Appearing to me as a subterranean circumstance these colliding yellow and white planes elude to the forces of nature, here illustrated in front of a subtle background with iridescent blue highlights.
For a while yellow was the dominant color of my palate. This painting begun several years ago and recently re-addressed, attests to its influence. Appearing to me as a subterranean circumstance these colliding yellow and white planes elude to the forces of nature, here illustrated in front of a subtle background with iridescent blue highlights.
For a while yellow was the dominant color of my palate. This painting begun several years ago and recently re-addressed, attests to its influence. Appearing to me as a subterranean circumstance these colliding yellow and white planes elude to the forces of nature, here illustrated in front of a subtle background with iridescent blue highlights.

529 Views

81

View In My Room

Footing Painting

Larry Graeber

United States

Painting, Oil on Canvas

Size: 24 W x 28 H x 1.3 D in

Ships in a Box

$3,560

Shipping included

14-day satisfaction guarantee

Trustpilot Score

529 Views

81

Artist Recognition
link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK

For a while yellow was the dominant color of my palate. This painting begun several years ago and recently re-addressed, attests to its influence. Appearing to me as a subterranean circumstance these colliding yellow and white planes elude to the forces of nature, here illustrated in front of a subtle background with iridescent blue highlights.

DETAILS AND DIMENSIONS
Painting:

Oil on Canvas

Original:

One-of-a-kind Artwork

Size:

24 W x 28 H x 1.3 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Because I work from my imagination, I am always looking for information to inform it. Larry Graeber, a Texas-based artist, considers himself a painter and sculptor. He presently works in San Antonio and Marfa TX studios. Raised in Austin the oldest of three children, the son of an architect, and homemaker/ volunteer. Larry was always involved in making things: forts, treehouses and down hill coasters. In school it was the industrial arts and architecture classes that peaked his interest, learning to use tools and to draw ideas. Summers were spent working in his grandad's lumber yard, Graeber Lumber. Thinking he might follow in his dad's footsteps college studies began with architectural intentions. Challenged by academia and dyslexic complications Larry changed direction to studying printmaking, jewelry, painting and sculpture, even a little filmmaking. By his second year he had already found a studio in downtown San Marcos that he devoted to painting. Graeber began exhibiting in 1971, curated into Texas Painting and Sculpture Exhibition, Dallas Museum of Fine Arts. His first major one person exhibition was in 1974, Works from a Small Duplex, curated by then director John Leeper and hosted by the McNay Art Museum in their upstairs galleries. After a brief hiatus Larry acquired gallery representation in Houston and Dallas spending subsequent years devoted to these venues and some sizable steel sculpture making. These years also included inclusion in two books; Art at Our Doorstep 2008 compiled by Riley Robinson (Artpace) and Trinity Press. Texas Abstract; modern/contemporary, 2014 Michael Paglia and Jim Edwards, Frisco Books. In 2011 Larry turned his attention to curating, mounting the exhibit Margins; six artists, catalog with essay for the campus gallery, UTSA. In 2016 he was invited to participate in the first pop-up exhibit at the McNay Art Museum, Meet the Future 2016, curated by Rene Barilleaux. Just prior to the pandemic he and Sterling Allen collaborated in the project room of Blue Star Contemporary, with an exhibit of wall and floor sculpture titled Formal Proof, an accompanying catalog with essay by Anjali Gupta, Fall 2019.

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

Thousands of 5-Star Reviews

We deliver world-class customer service to all of our art buyers.

Satisfaction Guaranteed

Our 14-day satisfaction guarantee allows you to buy with confidence.

Global Selection of Emerging Art

Explore an unparalleled artwork selection by artists from around the world.

Support An Artist With Every Purchase

We pay our artists more on every sale than other galleries.