For the Price of a pizza Painting

GG is an innovative artist celebrated for her vibrant and thought-provoking work, which intricately weaves themes of societal critique, emotional depth, and cultural richness. Central to her artistic identity are her distinctive “muppets,” whimsical motifs that recur across her diverse body of work. These playful characters invite engagement from all audiences and embody the complexities of consumerism, racism, and the stark contrasts between creating an enigmatic style that defies easy categorization and ensures her pieces are instantly recognizable. Interview with GG for Monopol Magazine (2022): Interviewer: Your work is full of vibrant colors and captivating figures, but it also carries deeper themes of societal critique. Can you talk about how these themes come through in your art? GG: Absolutely. While I don't consider myself an activist, my art reflects the emotional suffering caused by our consuming society, especially in how animals and nature are neglected. I often defend the underdog in my work, and issues like racism are present as well. I’ve used dark-skinned women as protagonists in many of my earlier pieces, which ties back to my childhood often spend in South America. I saw firsthand how Indigenous cultures were impacted by modern consumption one year, they were bathing in lakes, and the next, they had cellphones. That abrupt shift has stayed with me and is something I express through my art. Interviewer: Your pieces often seem to invite reflection without overwhelming the viewer with sadness. Is that intentional? GG: Yes, I try to create images that are beautiful and engaging, but also thought-provoking. I want people to become more conscious of the issues I raise whether it’s the treatment of animals, racism, or our consumer habits without feeling overwhelmed by sadness. It’s like presenting a mirror that reflects both the beauty and the suffering of the world, in a way that encourages awareness and action. My art is meant to blend the personal with the universal, much like a sculptor might do with form and meaning. Interviewer: You’ve mentioned that you want your work to provoke something in the viewer. What kind of reaction are you hoping to evoke? GG: I want the viewer to find their own connection with the work. It doesn’t have to be something profound; it could be as simple as just liking the piece, and that’s perfectly fine. I’m not trying to teach or impose anything.