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As I painted this large piece, I thought about snow, walking through forests in the whiteness: the trees look like tall black sticks as you wander your way through dense growth. The shadows are cast, a blue hue on the white, and as you gaze to the skyline, a subtle green blue light, the northern lights shimmer down. The bottom red panel proves a jolt of colour, but there is something reminiscent of a sea-scape at the very bottom, striking in its cobalt blue. This is an exceptionally bold painting, its a dominator, and commands attention. The viewer will always find something unusual hidden in parts.
As I painted this large piece, I thought about snow, walking through forests in the whiteness: the trees look like tall black sticks as you wander your way through dense growth. The shadows are cast, a blue hue on the white, and as you gaze to the skyline, a subtle green blue light, the northern lights shimmer down. The bottom red panel proves a jolt of colour, but there is something reminiscent of a sea-scape at the very bottom, striking in its cobalt blue. This is an exceptionally bold painting, its a dominator, and commands attention. The viewer will always find something unusual hidden in parts.
As I painted this large piece, I thought about snow, walking through forests in the whiteness: the trees look like tall black sticks as you wander your way through dense growth. The shadows are cast, a blue hue on the white, and as you gaze to the skyline, a subtle green blue light, the northern lights shimmer down. The bottom red panel proves a jolt of colour, but there is something reminiscent of a sea-scape at the very bottom, striking in its cobalt blue. This is an exceptionally bold painting, its a dominator, and commands attention. The viewer will always find something unusual hidden in parts.
As I painted this large piece, I thought about snow, walking through forests in the whiteness: the trees look like tall black sticks as you wander your way through dense growth. The shadows are cast, a blue hue on the white, and as you gaze to the skyline, a subtle green blue light, the northern lights shimmer down. The bottom red panel proves a jolt of colour, but there is something reminiscent of a sea-scape at the very bottom, striking in its cobalt blue. This is an exceptionally bold painting, its a dominator, and commands attention. The viewer will always find something unusual hidden in parts.
As I painted this large piece, I thought about snow, walking through forests in the whiteness: the trees look like tall black sticks as you wander your way through dense growth. The shadows are cast, a blue hue on the white, and as you gaze to the skyline, a subtle green blue light, the northern lights shimmer down. The bottom red panel proves a jolt of colour, but there is something reminiscent of a sea-scape at the very bottom, striking in its cobalt blue. This is an exceptionally bold painting, its a dominator, and commands attention. The viewer will always find something unusual hidden in parts.

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9

View In My Room

Forest Painting

Tracy Sweeney

Ireland

Painting, Oil on Wood

Size: 31.5 W x 43.3 H x 2 D in

Ships in a Box

SOLD
Originally listed for $2,960

147 Views

9

Artist Recognition
link - Featured in One to Watch

Featured in One to Watch

link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK

As I painted this large piece, I thought about snow, walking through forests in the whiteness: the trees look like tall black sticks as you wander your way through dense growth. The shadows are cast, a blue hue on the white, and as you gaze to the skyline, a subtle green blue light, the northern lights shimmer down. The bottom red panel proves a jolt of colour, but there is something reminiscent of a sea-scape at the very bottom, striking in its cobalt blue. This is an exceptionally bold painting, its a dominator, and commands attention. The viewer will always find something unusual hidden in parts.

DETAILS AND DIMENSIONS
Painting:

Oil on Wood

Original:

One-of-a-kind Artwork

Size:

31.5 W x 43.3 H x 2 D in

SHIPPING AND RETURNS
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"What Sweeney has vividly evoked is its maker's desire to create a mark in public, to make something imperfect and thus unique. In this and many of these works, Sweeney's aesthetic is a raw one of the scrap yard, and at moments - the gutter" Jean Tormey, Curator, Tate Modern, London. Tracy Sweeney is an artist from Ireland. Her dynamic paintings have won major awards including the prestigious Pollock Krasner Award in New York. Sweeney's numerous international exhibitions have been met with much acclaim, particularly her exhibition "Station/Wall" in Grafiska Sallskapet Galleri, Stockholm; her work in the Paris Biennale 109 and a major group exhibition; "˜Grafiktriennalen', opened by King Carl Gustaf of Sweden in Stockholm, Sweden. Tracy Sweeney's paintings are held in major collections, galleries & museums throughout Ireland, Europe & the US. She is represented by Grafiska Sallskapet, & Galleri Ingela S, Stockholm, Sweden.

Artist Recognition
Featured in One to Watch

Featured in Saatchi Art's curated series, One To Watch

Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in London, London

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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