40 Views
10
View In My Room
Painting, Digital on Canvas
Size: 23.6 W x 23.6 H x 0.8 D in
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40 Views
10
The basis of this image is a mathematical algorithm, which is processed from different layers to the final result. In the process, countless variants can arise, but each one is unique. These variants symbolize the self-similar processes of nature, which are constantly repeated: sunflowers are the same from a distance, but different up close; mountains, stars, living beings. Everything is produced or reproduced again and again in slight variation. This unique digital painting is printed as FineArt-Giclée-Print on Hahnemühle Canvas with twice UV-Protective (this is also a good protection against dust) on stretcher frame. Ready to hang. The image was created on a color-calibrated monitor, which allows the finest brightness and color gradations, which are also printed. The printed image may differ from the one you see here. Have fun with it. Andre Waage
2021
Digital on Canvas
One-of-a-kind Artwork
23.6 W x 23.6 H x 0.8 D in
Not Framed
Not applicable
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I think, for good reasons one can say, repetitive is an essential, maybe the characteristic of our world (the being). Any leaf of a tree appears to us like any other, but no two leaves are alike (this example is from the philosopher Leibniz). Not in this year and not during the lifetime of the tree. And we do not find this leaf in other trees - at any time. So the same thing always seems to come back with a small deviation. But what distinguishes individual leaves, or individual stars from each other? What exactly makes a person to this person? Can we see more than functional pragmatic reasons behind the constantly recurring deviations? At the moment I am trying to use mathematical algorithms in my pictures to produce results that obviously differ greatly from each other, but they often have the same mathematical basis. If you take a closer look, you can see that (the pictures that belong together also always have the same basic name in the picture name). The generated basic geometries, which I then process further, lie between the 2nd and 3rd dimension, they are not flat, but also not three-dimensional. Later I would like to extend my considerations to aspects of time, space, form and content. Aesthetics is the most important thing in communicating my results. The fact that a picture looks appealing, i.e. that the viewer likes it, makes it convincing and you can recognize a "more", more than the shapes and colors on the picture.
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