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"Game Rehearsal" Painting

Natasha Nord

United Kingdom

Painting, Oil on Canvas

Size: 24 W x 30 H x 3 D in

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Originally listed for $2,490
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About The Artwork

I recently started a new series of paintings to portray a number of Soviet park sculptures, which were created as ideological propaganda of the dominant and powerful Soviet state. They have now been destroyed and forgotten and appear to be the witness-memorial of the decay of a moment. The paintings of historic decay are likely to be seen as a reminder of how far a culture could go to be destructive. As Nietzsche wrote: ‘history belongs to the man who preserves the conditions under which he came into existence for those who are to come after him’. Confronting the Soviet past in a positive memento is my warning about present nationalistic ideology in today’s Russia. This is as well as my effort to come to an understanding and acceptance of my national identity and belonging through the use of Russian historical knowledge and to challenge to a great extent the absence of collective political memory, loss of reality and to expand the uncertain political and social future of my country, focusing on the restorative power of the art.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:24 W x 30 H x 3 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Natasha Nord was born in a large industrial city Magnitogorsk, USSR. Developing a strong passion for the arts, she took great interest in music, photography and drawing at a young age, playing piano by the age of seven and winning her city’s photography awards by the age of ten. Natasha’s school graduation coincided with the chaos of the Soviet State’s collapse and despite her artistic nature, she applied to the Moscow State University to pursue economics. After having her first child, with her husbands support, Natasha gave up banking and solely devoted herself to a personal journey as an artist focusing primarily on photographic practice. One of her exhibited works during that period was a series of photographs of an abandoned building in Baku, Azerbaijan, called “Within the time space”, exploring the accuracy of human memory and judgment. The series was widely exhibited worldwide including several state museums in Saint Petersburg and galleries in London and Miami. After moving to London in 2007 Natasha studied painting at the Heatherley School of Fine Art and Florence Academy of Art. Since then, photography and painting go hand in hand for her, with one complimenting the other. She uses her photographs and a vast array of collected images as a source of inspiration. As someone who has moved to live in country in which the language is different form her mother tongue; ideas of identity, whether social, sexual, religious or of gender, are extremely important to Natasha. In her work she consistently explore the nuanced characteristics that determine our personal and social identity, questioning stereotypes and conventions. She always looks for new and unique ways of presenting feminism and femininity using her own experience, encouraging a more volatile view of gender than of traditional ideology. In her paintings Natasha wants to turn depiction of women and female forms from being a surveyed object into something that is more powerful and create a foundation where feelings and emotions can be established.

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