Gayatri Painting

Caverzan develops a body of work that, at first glance, relates to constructivism, featuring a visual language characterized by the recurring use of geometric shapes, especially triangles and circles, often fragmented and interconnected by lines. Her work particularizes, updates, and challenges constructive visual thinking through aesthetic, ethical, and philosophical provocations — including gender issues — aimed at the tradition of Western geometric abstraction. Her research spans various fields of human thought, such as alchemy, mathematics, physics, architecture, and literature, where rationality is confronted — or expanded — by the dimensions of emptiness, the ethereal, and esotericism, imbued with a strong symbolic charge. Caverzan also employs diverse materials and surfaces, such as acrylic, resin, glass, silicone, foam, and LEDs, exploring contrasts of light, texture, and different planes. This material approach creates spaces that oscillate between the visible and the hidden, adding a symbolic and enigmatic dimension to her artistic production.