VIEW IN MY ROOM
United Kingdom
Painting, Oil on Canvas
Size: 23.6 W x 35.4 H x 2 D in
Ships in a Crate
Artist Recognition
Showed at the The Other Art Fair
Artist featured in a collection
My practice is based on the exploration of images or any other forms of documentations which bare witness to different experiences of a historical moment etched in time but share elements of absence and loss. This evokes feelings of melancholy but also, more important, constitutes a loss that drew me in through artistic strategies of repetition, substitution, and re-fabrication. I am involved in the probing of conjunctions in between emotions of loss, grief and trauma, and a visual language that places absence at its very centre. It is a practice based on the persistence of the traumatic past in the present; between what has happened and what could be comprehended; between an event and its reinterpretation. It is an analytic approach which refers to a permanent state of questioning, of transformations, and an endless probing of appearances. The focus in this practice is to question and reconsider the impulse and especially the objective of representing the lost object.
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:23.6 W x 35.4 H x 2 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
Nairi Afrikyan was born in Armenia. He lives and works in London. ARTIST'S STATEMENT My practice is based on the exploration of images or any other forms of documentations which bare witness to different experiences of a historical moment etched in time but share elements of absence and loss. This evokes feelings of melancholy but also, more important, constitutes a loss that drew me in through artistic strategies of repetition, substitution, and re-fabrication. I am involved in the probing of conjunctions in between emotions of loss, grief and trauma, and a visual language that places absence at its very centre. It is a practice based on the persistence of the traumatic past in the present; between what has happened and what could be comprehended; between an event and its reinterpretation. It is an analytic approach which refers to a permanent state of questioning, of transformations, and an endless probing of appearances. The focus in this practice is to question and reconsider the impulse and especially the objective of representing the lost object. I began to realise the compulsion of responding to the notion of a historical event by reflecting and visualising the traumatic happenings contemporary to the specific event, the Armenian Genocide, a compulsion to preserve loss by suspending and controlling time through space, suggestion, and allusion. The realisation is processed in the context of my personal emotions, referring back to actuality, preserved in photographic or any other form of documentation. My artistic strategy is to enable the sensation of the past to unfold, through the choices of medium (photograph, video and animation), while opening up the possibility for the object to embark on a relationship with the present.
Handpicked to show at The Other Art Fair presented by Saatchi Art in London
Artist featured by Saatchi Art in a collection
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