Gears II - Engranatges II Painting

It is not so interesting the result of the work as it is interesting the impression of the gesture, conscious or unconscious, that forms an image. Time ceases to be what it is, stopped permanently in the matter by that printed gesture that modifies the object, and it becomes the uprooted soul, reflected, naked, exposed outside of the sculpting channel. I recognize my devotion for the fresh pieces of art, because of the results of briefness. I enjoy being guided by the feeling of every moment when making decisions, using different techniques, textures or colors depending on the intention of the work in progress. But before concluding my work, I deepen into its study and my evaluation before the final approval.