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In studio before final colours were added.
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Ginko Painting

Alex Raynham

Turkey

Painting, Acrylic on Canvas

Size: 31.5 W x 35.4 H x 1.8 D in

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$1,630

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About The Artwork

The name of this work comes from the Ginko leaf that is visible amongst the stones near the middle of the composition. I collected the original leaf in a local park then soaked it in glycerine to preserve it before painting it. This extends the life of the leaf so that you can paint it before it curls up and loses all its colour. The objects in this painting are meant to be symbolic: the moth and the fading leaves are symbols of impermanence, whereas the stones are symbols of longevity. Stones in particular are really interesting to examine in detail - even if I'm not a geologist and can't claim to understand exactly what I'm looking at. They contain all sorts of interesting details, such as veins of different minerals. In a way each stone is a time capsule with a unique history of its own: processes such as volcanism, sedimentation and erosion have formed and shaped each one over millions of years, The painting is painted on the sides and varnished. It is shipped in a tube.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:31.5 W x 35.4 H x 1.8 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I am an artist and writer with paintings in private and corporate collections in Turkey, the UK, the United States, Canada and Australia. I live in Adana, Turkey. I am a member of both local and national jury-selected artists' associations and often participate in Turkish-government sponsored exhibitions in other countries. I paint in both figurative and abstract styles, but most recently my interest has been in capturing the kind of details in nature that you would usually pass by without a second glance: things like weathered rocks, broken branches and dying leaves. The idea behind this 'Vanitas' series is perhaps that the value and beauty of the ordinary things in nature lies in their impermanence. Many of my works are built up of multiple layers over a long period of time − using a variety of techniques and tools. Layers of paint are poured, glazed, scratched, and rubbed away until the desired effect is achieved. Each exhibition I take part in brings me into contact with many artists and art lovers, whose feedback and reactions to my work I find invaluable. I continue to develop new techniques and explore new approaches in order to develop my personal response to the world around me.

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