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Oil on photograph mounted on acrylic glass. Supported on the reverse with a wooden backing it hangs flush on the wall.


Combining the mediums of photography and painting I create different layers and tensions to the image. The flat subject matter is given a new lease of life as the surface and face is abstacted by impasto textures of oil paint. It becomes a more psychological portrait as my fascination with texture and how paint reacts to the surface comes to the forefront.
Oil on photograph mounted on acrylic glass. Supported on the reverse with a wooden backing it hangs flush on the wall.


Combining the mediums of photography and painting I create different layers and tensions to the image. The flat subject matter is given a new lease of life as the surface and face is abstacted by impasto textures of oil paint. It becomes a more psychological portrait as my fascination with texture and how paint reacts to the surface comes to the forefront.
Oil on photograph mounted on acrylic glass. Supported on the reverse with a wooden backing it hangs flush on the wall.


Combining the mediums of photography and painting I create different layers and tensions to the image. The flat subject matter is given a new lease of life as the surface and face is abstacted by impasto textures of oil paint. It becomes a more psychological portrait as my fascination with texture and how paint reacts to the surface comes to the forefront.
Oil on photograph mounted on acrylic glass. Supported on the reverse with a wooden backing it hangs flush on the wall.


Combining the mediums of photography and painting I create different layers and tensions to the image. The flat subject matter is given a new lease of life as the surface and face is abstacted by impasto textures of oil paint. It becomes a more psychological portrait as my fascination with texture and how paint reacts to the surface comes to the forefront.
Oil on photograph mounted on acrylic glass. Supported on the reverse with a wooden backing it hangs flush on the wall.


Combining the mediums of photography and painting I create different layers and tensions to the image. The flat subject matter is given a new lease of life as the surface and face is abstacted by impasto textures of oil paint. It becomes a more psychological portrait as my fascination with texture and how paint reacts to the surface comes to the forefront.

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17

View In My Room

Glance Painting

Jean-Luc Almond

Guernsey

Painting, oil on Wood

Size: 7.9 W x 11.8 H x 1.2 D in

Ships in a Box

SOLD
Originally listed for $840

181 Views

17

Artist Recognition
link - Featured in One to Watch

Featured in One to Watch

link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK

Oil on photograph mounted on acrylic glass. Supported on the reverse with a wooden backing it hangs flush on the wall. Combining the mediums of photography and painting I create different layers and tensions to the image. The flat subject matter is given a new lease of life as the surface and face is abstacted by impasto textures of oil paint. It becomes a more psychological portrait as my fascination with texture and how paint reacts to the surface comes to the forefront.

DETAILS AND DIMENSIONS
Painting:

oil on Wood

Original:

One-of-a-kind Artwork

Size:

7.9 W x 11.8 H x 1.2 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Jean-Luc Almond is a British artist who received his BFA in 2013 from the City & Guilds of London Art School. His paintings have won various awards, including The Cass Art Commission of the National Open Art Competition, Somerset House and The Best Painting Prize at the ‘Injustice’ Open Art Competition, La Galleria, Pall Mall, judged by esteemed art critic, Edward Lucie Smith. He has been featured as a Saatchi Art 'One to Watch' and in the '20 Emerging Artists to Buy Now' Collection on Saatchi Art. His work is exhibited internationally. Notable exhibitions include Start Art Fair, Saatchi Gallery, SCOPE Basel, Switzerland, The Other Art Fair and The London Art Fair. Collections of interest include Mark Cass- CEO and founder of Cass Art, Tony Elliot, founder of Time Out Magazine, Sandstorm films- UK and Arte Al Limite- Chile. Among Jean-Luc’s influences is Victorian photography. His paintings are constructed through the processes of creation and destruction, damage and repair. Jean-Luc is obsessed with the materiality and texture of the paint itself. He embraces the transformations that take place when he is no longer a slave to the image and the painting becomes more about the paint and the surface. A certain tension exists within the thick surfaces of his paintings, as paint takes precedence over representation.

Artist Recognition
Featured in One to Watch

Featured in Saatchi Art's curated series, One To Watch

Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in London, London, London, London, London

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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