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"Green Grid Sunrise" Painting

Marc Vischer, United States

Painting, Acrylic on Paper

30 W x 22 H in

Ships in a Tube

This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More

Shipping typically takes 5–7 business days

$315

Shipping Included

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

I start with a heavy, gestural texture and build layers of color glaze on top. The tension between the gestural feel combined with the measured quality of the green grid gives the painting energy. I enjoy suggesting a distant horizon line while creating a visual curtain with the grid pattern. Mater...

Year Created:

2021

Subject:
Mediums:

Painting, Acrylic on Paper

Rarity:

One-of-a-kind Artwork

Size:

30 W x 22 H x 0.1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

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Need more information?

Born, Montana, USA, also lived in Seattle and the San Francisco Bay Area, now residing on the high prairie of Southern Montana surrounded by wide, open spaces. Over the years I have enjoyed using a variety of mediums in a variety of ways, from photography to painting, from realistic to abstraction. From small, intimate objects to larger than life works on unstretched canvas. I enjoy taking a big reality and condensing it down to a few small tokens or blowing up the small and mundane so as to be unavoidable to the viewer. My early photographs were manipulated to look like abstract paintings and some of the realistic paintings I’ve done over the years look like they are photographs. Recently, I’ve turned to painting loosely geometric abstractions. Sometimes a highly textured surface is built up layer after layer and the final layers are essentially controlled accidents coliding with the underlying shapes/textures. There is also a play between the observed surface in contrast to what appears to be a distance, a field, a void that gives the whole painting a three dimensional feel. If I had to briefly sum up my approach to art making, it would be to view it as a self imposed puzzle that is a challenge and eventually a joy to solve.

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Curator - Siting Wang

Siting Wang, Associate Curator