



Painting, Watercolor on Paper
11.7 W x 49.6 H in
Ships in a Tube
This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More
This artwork is not for sale.
ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
ABOUT LANDSCAPE, a conversation between Daniela Cristadoro and Ferruccio Ascari D. I find it surprising that you have started painting landscapes: knowing your artistic path, marked from the beginning by an experimental tension, it would seem like a step backward... F. It took me a long time to di...
Year Created:
2025
Subject:
Mediums:
Mediums:
Multi-paneled Painting, Watercolor on Paper
Rarity:
One-of-a-kind Artwork
Size:
11.7 W x 49.6 H x 0.1 D in
Number of Panels:
3
Ready to Hang:
No
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships Rolled in a Tube
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Italy.
Customs:
Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
Need more information?
Contact us.Need more information?
Contact us.Ferruccio Ascari (b. 1949) lives and works in Milan. His early works focused on site-specific installations and the cross-contamination between visual arts and time-based arts (music, dance, performance), as well as painting and sculpture—an openness to diverse artistic languages that continues to define his entire practice.
From the mid-1980s onward, Ascari concentrated on painting and sculpture, particularly on the technique of fresco transferred onto canvas. Many of his works from this period emerge from a preordained processuality aimed at exposing the inherent properties of materials. In recent years, his work has progressively distanced itself from an anthropocentric perspective, embracing instead forms and forces linked to the cycles of nature—an inquiry into the origins of form as a manifestation of energy in a perpetual dialectic between permanence and transformation.
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