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HERO(ine) Painting

Petra Rolinec

Sweden

Painting, Acrylic on Cardboard

Size: 40.2 W x 28.3 H x 0.1 D in

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About The Artwork

It has been 170 years since the first gathering devoted to women’s rights in the United States was held in July 1848, in Seneca Falls, New York, yet to this day women are not treated with equality and often treated with outright aggression.. I began this project as a reflection of the duality of a woman’s role in society. The sinner or the saint, the boss or the mother, the hero or the damsel in distress. In reality though, we all don’t just live lives of duality, but lives fractured into infinite facets of existence. When I grew up in the 80s everybody frowned upon my liking of superheroes and comic books. It was a boys thing, I was supposed to only play with my dolls. But I loved both the heroes and the dolls, and I didn’t see why anyone should choose one over the other. I use comic book pages as a rebellion against the gender restrictions of my childhood. Comic books have become much more mainstream today, but the idea that superheroes have to be something more than us mere humans remains, just as the idea that men are worth more than women. Every canvas is made of pages or single frames of a superhero. The hero is colourful and stands out against the chaos of the pages. The specks of colour create an undistinguishable pattern, that seems to follow no order. On this canvas I transfer the naked body of a woman in a halftone pattern. I paint her, undistinguishable, impersonal and without a face, in black acrylic paint. She represents all women, and the vulnerability of the naked form reflects the vulnerability of women at large. There is no way to see the whole painting at once. When the dots form the woman’s body, the viewer stands too far to see the detail in the canvas. When the viewer steps closer, then the form dissolves into a sea of black dots. Just like the complexity of life, the painting cannot be viewed all at once. In the end it is the duality that makes us truly human, the fact that we are more than just the sinner or just the saint, we are also everything that is found in between Using acrylic paint, the rasterized images are transferred by hand onto a canvas, which is made of comic strips coloured with aquarelle pencils. Size 72x102cm

Details & Dimensions

Painting:Acrylic on Cardboard

Original:One-of-a-kind Artwork

Size:40.2 W x 28.3 H x 0.1 D in

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I was born in Slovakia, grew up in Germany, spent my twenties in Botswana and am currently living in Sweden. Like many other third culture children I find the concept of home and belonging a difficult one and those ideas are what drives most of my work. My work is mainly about dissolving reality, through reflections and repetition as well as though the use of halftone patterns in my painting. The multiple meaning of reflection on one side as a mirror image of reality and on the other side, the contemplation of the past and of our thoughts and feelings is what inspired the visual concept for these photographs. The daunting, ‘other’ reality that is found in the reflective surfaces that surround us has always been one of my every day joys. I constantly look for them, and I see them everywhere. I see the beauty in all the small things and my desire to share this beauty with the world is what inspired me to become a photographer. In the reflections, a pavement becomes a starry sky, normality twists around itself into something bizarrely familiar. . Turning the images around creates an immersive fantasy world that lies just beneath the watery surface. This series of images began in the summer of 2016 as a mindless joy to myself, but has since become a window into another reality, which opens up to those that take the time to see. One world becomes many. In the otherworldly reality of reflections we get to experience a new dimension of ourselves. The subjects are at the same time part and apart from us, they become multidimensional on a two dimensional surface. We can almost derive what lies below the surface but we can never be sure. We can see the likeness on the surface, a copy of the truth that remains an illusion.

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