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"High Meadow #1" Painting

Patrick Malin, United States

Painting, Oil on Paper

14.8 W x 11.8 H in

Framed

This artwork is not for sale.

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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These abstract paintings were all done outdoors on hikes in the Eastern Sierras of California, in Nevada, in Utah and Colorado. This one was done on a hike in the Great Basin National Monument area in Nevada, in a beautiful meadow at around 9,000 feet elevation. PLEASE NOTE: Actual painting size is...

Year Created:

2020

Subject:
Mediums:

Painting, Oil on Paper

Rarity:

One-of-a-kind Artwork

Size:

14.8 W x 11.8 H x 1.3 D in

Ready to Hang:

Not Applicable

Frame:

Other

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

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Need more information?

IN BRIEF: These small abstract pieces were all painted while hiking in Utah, Colorado, the Eastern Sierras, Nevada, and New Mexico. They are done in oil on artisanal paper. These abstract paintings were all done in their entirety “en plein air” along those hiking trails. MORE ABOUT THE WORK: When I look around at the natural world, I see that no object is a pure, single color, but rather a mix of incidental hues combined to give an impression of a color. The idea of discernible local colors or even colors that are interrelated in some systematic way doesn't make sense to me. Once I started applying this idea of impure, aggregate colors, the forms in my paintings started to break down. So rather than well defined forms, there are really only zones in my work with different colors that are not pure within them. I work outdoors in oils on hand-made paper. This portable approach dates back to the beginnings of landscape painting in Europe and America. Artists like Corot went to Italy to capture it’s light, and Hudson River School painters went west to record the shape of the continent using this same method. This was a traditional way to study from “Nature”. In this spirit, I’ve been painting in remote natural areas – on public lands in America’s western deserts and mountains. Places which are ever more rare, and now threatened by population pressures, wildfires, and development.

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