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I am interested in capturing human emotion and interactions by representing expression and gestures through the use of paint, colour and mark making. At the same time I hope to interact with the viewer by creating works that they can relate to or empathise with; each having their own story or experience they bring to the image, therefore reading it in differing ways.
Current work examines expression through fictitious characters and de-contextualised dialogue. I am interested in exploring what happens to the image through the process of applying the paint.
Inspired by images appropriated from film, photography and the media, the work exploits the conventions of cinematography; heavy cropping, close-ups, angled shots, saturated colours, along with the use of dialogue as the paintings titles, lure us into the melodrama. 
Although my image source is usually a photograph I am not trying to create a photo-realist work in any way but rather a re-interpretation of that photo as a painting.
I am interested in capturing human emotion and interactions by representing expression and gestures through the use of paint, colour and mark making. At the same time I hope to interact with the viewer by creating works that they can relate to or empathise with; each having their own story or experience they bring to the image, therefore reading it in differing ways.
Current work examines expression through fictitious characters and de-contextualised dialogue. I am interested in exploring what happens to the image through the process of applying the paint.
Inspired by images appropriated from film, photography and the media, the work exploits the conventions of cinematography; heavy cropping, close-ups, angled shots, saturated colours, along with the use of dialogue as the paintings titles, lure us into the melodrama. 
Although my image source is usually a photograph I am not trying to create a photo-realist work in any way but rather a re-interpretation of that photo as a painting.
I am interested in capturing human emotion and interactions by representing expression and gestures through the use of paint, colour and mark making. At the same time I hope to interact with the viewer by creating works that they can relate to or empathise with; each having their own story or experience they bring to the image, therefore reading it in differing ways.
Current work examines expression through fictitious characters and de-contextualised dialogue. I am interested in exploring what happens to the image through the process of applying the paint.
Inspired by images appropriated from film, photography and the media, the work exploits the conventions of cinematography; heavy cropping, close-ups, angled shots, saturated colours, along with the use of dialogue as the paintings titles, lure us into the melodrama. 
Although my image source is usually a photograph I am not trying to create a photo-realist work in any way but rather a re-interpretation of that photo as a painting.
I am interested in capturing human emotion and interactions by representing expression and gestures through the use of paint, colour and mark making. At the same time I hope to interact with the viewer by creating works that they can relate to or empathise with; each having their own story or experience they bring to the image, therefore reading it in differing ways.
Current work examines expression through fictitious characters and de-contextualised dialogue. I am interested in exploring what happens to the image through the process of applying the paint.
Inspired by images appropriated from film, photography and the media, the work exploits the conventions of cinematography; heavy cropping, close-ups, angled shots, saturated colours, along with the use of dialogue as the paintings titles, lure us into the melodrama. 
Although my image source is usually a photograph I am not trying to create a photo-realist work in any way but rather a re-interpretation of that photo as a painting.
Painting details

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3

View In My Room

I Think I Need A Little Poison Painting

Sal Jones

United Kingdom

Painting, Oil on Canvas

Size: 39.4 W x 31.5 H x 0.8 D in

Ships in a Box

SOLD
Originally listed for $2,690

605 Views

3

Artist Recognition
link - Artist featured in a collection

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ABOUT THE ARTWORK

I am interested in capturing human emotion and interactions by representing expression and gestures through the use of paint, colour and mark making. At the same time I hope to interact with the viewer by creating works that they can relate to or empathise with; each having their own story or experience they bring to the image, therefore reading it in differing ways. Current work examines expression through fictitious characters and de-contextualised dialogue. I am interested in exploring what happens to the image through the process of applying the paint. Inspired by images appropriated from film, photography and the media, the work exploits the conventions of cinematography; heavy cropping, close-ups, angled shots, saturated colours, along with the use of dialogue as the paintings titles, lure us into the melodrama. Although my image source is usually a photograph I am not trying to create a photo-realist work in any way but rather a re-interpretation of that photo as a painting.

DETAILS AND DIMENSIONS
Painting:

Oil on Canvas

Original:

One-of-a-kind Artwork

Size:

39.4 W x 31.5 H x 0.8 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Sal Jones

Sal Jones

United Kingdom

Working primarily with oil paint on canvas Sal’s fascination with painting focuses on our relationship with representation; particularly with regard to human expression and communication. Her emotionally charged paintings, portraying, primarily, fictional subjects, capture the action of expression out of context whilst transforming the stereotypical portrait. Using subjects that she has sourced from cinema, the media and her own photography she creates works that explore human reaction and empathy on a personal level. Her work investigates our love of the dramatic, focusing on scenes of questioning, love, betrayal, and power-play; along with titles originating from dialogue, they invite the viewer to share and empathise with this inner world of familiar strangers. The painted surface draws attention to the process of painting and to the artist’s choices in transforming the photographic source image. Sal has a BA Hons in Fine Art and a PGCE in Art & Design, she lives and works in London. Sal has over 20 years of experience working in the education sector teaching and undertaking art residencies and is currently a freelance Artist, Museum educator, tutor and exam board Assessment Associate. Sal has exhibited widely in London and the UK, and has had two solo shows in the last two years in Herts and London. Her work is held in private collections in the UK and internationally.

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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