1369 Views
10
View In My Room
Painting, Acrylic on Canvas
Size: 48 W x 41.7 H x 1.2 D in
Ships in a Crate
1369 Views
10
Artist featured in a collection
Acrylic on Canvas
One-of-a-kind Artwork
48 W x 41.7 H x 1.2 D in
Not Framed
Not applicable
Ships in a Crate
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Panama.
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Germany
Pablo Griss B.A (b. 1971 Caracas) graduated from Columbia University School of Visual Arts (1995) in New York, where he lived and worked until 1998. He currently works from his studios in Berlin and in Panama City . Pablo has participated in several group and solo exhibitions in the U.S.A, Europe and Latin America. Through an approach toward abstraction that incorporates a wide range of styles and media, Pablo Griss constructs poetic interpretations via spatial juxtapositions. ‘I am obsessed with space’ he admits. ‘My work embodies my need to create atmospheres, not recognizable ones but rather spaces that reveal themselves in a peculiar, more poetic way’. Uniting an accomplished geometric draftmanship with a loose and unconventional painterly style, Griss’s strongly expressionist work weaves back and forth between angular lines and stream-of-consciousness mark-making. Through such stylistic freedom and a devotion to a layered, palimpsest-like approach, the artist lends a sense of visual depth to his works. He also emphasizes the surreal nature of his backgrounds, both inviting the viewer into their environment while simultaneously reminding the viewer of their pure intangibility. At times, Griss’s work seems entirely reliant on geometric abstraction; at other times, as though in a fit of dynamism, these same paintings appear to embody wild organic movement. Perhaps the works find their strongest form of expression when Griss’s regimented shapes begin to collapse upon themselves, suggesting so much more than mere patterning. ‘As a painter in front of the canvas I explore my weaknesses,’ Griss confides. Exploring materiality, including collage, mixed media and gold leaf, he seems eager to establish and then deconstruct his own sense of order, both inside and outside the studio space. 100 Painters of Tomorrow Thames & Hudson, 2014 Pg. 120 /121
Artist featured by Saatchi Art in a collection
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