"In Purple" Painting

My artistic practice is a phenomenological investigation unfolding at the intersection of depth psychology, ontology, and existential philosophy. I view the pictorial plane as a dynamic liminal space that captures moments of internal transformation and the borderline states of human identity.

The central vector of my research encompasses questions of choice, agency, and the inevitable existential anxiety that accompanies the subject's act of self-determination. By focusing on the critical nodes of personal evolution, I seek to capture the elusive moment of transition from passive existence to conscious being.

Methodologically, I operate at the intersection of figurative realism and controlled surrealism. This stylistic ambivalence allows for the deconstruction of familiar reality: realism serves as an anchor binding the viewer to the materiality of the world, while surrealist interventions function as epistemological ruptures, indicating the presence of the Unconscious.

My practice is divided into two contrasting mediums:

Oil painting gravitates toward a cinematic vision. Through specific framing, light work, and the dramaturgy of color, I create an atmosphere of psychological suspense, transforming each canvas into a freeze-frame of existential drama, where textility and embodiment become the primary carriers of affect and memory.

Graphics are based on an expressive gesture. Here, the line and texture become a direct projection of psychic energy, bypassing rational filters, which allows the pure essence of emotional experience to be laid bare.

Collectively, my work is an attempt to map the topology of the human soul, offering the viewer a visual tool for introspection and the comprehension of their own being.