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When I saw for the first time the climbing walls, I was very inspired. They are made to imitate the rock cliffs so the climber can prepare and train for rock climbing. These colorful strange forms remind me of sea depths, body cells, chemical reactions and are very abstract.
When I saw for the first time the climbing walls, I was very inspired. They are made to imitate the rock cliffs so the climber can prepare and train for rock climbing. These colorful strange forms remind me of sea depths, body cells, chemical reactions and are very abstract.
When I saw for the first time the climbing walls, I was very inspired. They are made to imitate the rock cliffs so the climber can prepare and train for rock climbing. These colorful strange forms remind me of sea depths, body cells, chemical reactions and are very abstract.
When I saw for the first time the climbing walls, I was very inspired. They are made to imitate the rock cliffs so the climber can prepare and train for rock climbing. These colorful strange forms remind me of sea depths, body cells, chemical reactions and are very abstract.
Exhibition - Still life and Interior - Gallery of UBA  Shipka 6, Sofia, Bulgaria - 2016
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In the Shadow of the Depths Painting

Gergana Nikolova

Bulgaria

Painting, Acrylic on Canvas

Size: 47.2 W x 63 H x 1 D in

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537 Views
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About The Artwork

When I saw for the first time the climbing walls, I was very inspired. They are made to imitate the rock cliffs so the climber can prepare and train for rock climbing. These colorful strange forms remind me of sea depths, body cells, chemical reactions and are very abstract.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:47.2 W x 63 H x 1 D in

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My painting style is driven by emotions and various ideas. I extract philosophical ideas from books and seek to transfer emotions from music on the canvas as accurately as possible. I also play the piano and naturally, music in general is very important to me. I find these two branches of art – painting and music – very similar. The technique that I’m using is greatly influenced by the classical examples – I’m following exact stages whereas I’m working with multiple layers. For several years I was painting with oil paint. Then I decided to try with acrylics - I combine them with structure pasts, vanish or pigments, in order to achieve different effects. The experiment is crucially important to me and takes a central part – as part of the work process but also as a starting point of communicating with the viewer through his intuitive searches.

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