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Istanbul "Bosphorus Bridge" Painting

Sveta Makarenko

Ukraine

Painting, Oil on Canvas

Size: 23.6 W x 15.7 H x 0.8 D in

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$750USD

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164 Views
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About The Artwork

Istanbul... so many impressions!!!! Istanbul does not repeat itself. Here beauty coexists with ugliness, prayer with debauchery, logic with absurdity - imperfect, therefore, alive. Most of all, I was impressed by the Bosphorus and its majestic bridges, where traffic is always in full swing. She conveyed in the picture the experienced emotions experienced from what she saw. The Bosphorus resists the feeling of defeat, collapse, depression, sadness and poverty, which is slowly corrupting the city. In my mind, it is inextricably linked with the will to live, fullness of feelings and joy. The Bosphorus is the soul of Istanbul, the city draws strength from it. The Bosphorus has the power to heal wounds, to bring back to life. He is a master at fine tuning an out-of-tune instrument. I have met many seas, straits, oceans. They are beautiful, but in a different way. Not like a friend of the Bosphorus. The picture is textured, painted with pasty, voluminous strokes.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:23.6 W x 15.7 H x 0.8 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

My name is Sveta. I come from a small town that in Ukraine. Now I live in Turkey. At the heart of my painting practice is the principle of “state”. Situation is important to me: a meeting with a potential pictorial image can happen anywhere. For me, the environment is a flurry of visual material. I am interested in the characters of people, their emotions, inner world and relationships, the rhythm of nature and the rhythm of the city, the man in the urban landscape, the air, the singing of birds - all life around me is a potential source of pictorial expression. I set the task of wresting the most important thing from the stream, of seeing in it the potential object of my labor. In my works, state is primary, not visual similarity.

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