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View In My Room
Painting, Acrylic on Canvas
Size: 18.1 W x 35.8 H x 0.6 D in
Ships in a Box
8 Views
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Its Own White Image was inspired by a poem titled Thirty Egrets. It was written by a famous Australian Poet Judith Wright (1915 – 2000). Judith wrote about the beauty of these birds surrounded by trees and water in an eloquent short verse. “I saw a pool, jet-black and mirror-still. Beyond, the slender paperbarks stood crowding; each on its own white image looked its fill”. And just like Judith seeing a mirror still pool, I’d noticed these bare branches sitting high above a tree canopy. For months I was fascinated by the shape and would admire them each time I cycled home from work along the Narrabeen bike trail. Then one day I noticed three Egrets perched on the branches against a blue sky. I cycled home, collected my camera, and made a speedy trip back. I hoped and hoped the Egrets would still be there. Two had flown away, but one bird waited for my return. It was as if the Egret was rewarding me for my appreciation of the beauty held by nature. I captured the bird’s own white image resting on sculptured branches and framed against a sea of blue.
Acrylic on Canvas
One-of-a-kind Artwork
18.1 W x 35.8 H x 0.6 D in
Not Framed
Not applicable
Ships in a Box
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
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I was born in Papua New Guinea and lived on a remote rubber plantation before moving to Sydney in 1971 at the age of 7. I was finding it hard adjusting to the city and my mother encouraged me to take up oil painting. Having won an art competition when I was 10, the judges recommended that I study at the local TAFE on a Saturday morning. I completed one term but felt out of place with students who were all over 16 years old, so I did not continue. I was also a TV junkie, we had no TV in Papua, and staying at TAFE meant missing out on Hey Hey It’s Saturday. It took me 40 years to rediscover painting. The one constant in my work is to find a new project and during my break from painting I have been a project manager in Information Technology. This kept me in a world with projects, and here too I learnt that even the smallest piece of data contributes its meaning towards each information system. The other constant motivating me in life is to finish a project so I can start a new one.
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