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Jefferson Field - Spruce and Poplar Painting

Richard Reitz Smith

United States

Painting, Acrylic on Wood

Size: 16 W x 11 H x 0.5 D in

Ships in a Box

SOLD
Originally listed for $790

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ABOUT THE ARTWORK
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The season was changing from summer to fall. Painting plein air in this familiar field, the trees and the grasses swayed in the cool breeze. The blues of the spruce and the greens of the deciduous trees vibrated against the ochres of the grasses as their dried stalks rattled in the wind.

Year Created:

2012

Subject:
Medium:

Painting, Acrylic on Wood

Rarity:

One-of-a-kind Artwork

Size:

16 W x 11 H x 0.5 D in

Ready to Hang:

Not Applicable

Frame:

Gold

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

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LAND MARKS is a collection of work created over the past 30 years by Richard Reitz Smith. Smith is an artist and designer who explores nature and place as metaphor. Usually working with paintings, drawings and prints to spiritually and psychologically investigate places of significance in the artist’s life. Each works act like a window —a type of documentation of a moment of a journey. The total body of work becomes evidence of goals reached or of ones trying to be attained. Reoccurring themes of expansive valleys and crests where earth meets sky explore the metaphor of nature. Growing up in rural Pennsylvania in a small village nestled in a valley of the Appalachian foothills, Smith was surrounded by the seasonal effects on nature. “The hills simultaneously protected me from the outside world, yet kept me from it. The sky was a source of wonderment; a constant connection to the world beyond the crest of the hills, but everchanging.” Studying nature, he found truths that applied to his life. Smith studied fine art at Carnegie Mellon University with colorist Sam Gilliam, thematic and figurative painter Mary Weidner and draftsman Herbert Olds. To that education, he brings inspirations of the Transcendentalist traditions, the Romantic painters, and brush work and color techniques of the Fauvists and Impressionists.

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