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Acrylic on Canvas. This painting is inspired by the high jump event at the Olympics. Every blotch of paint, in this artwork, is contributing towards the emphasis of a strong movement.
Acrylic on Canvas. This painting is inspired by the high jump event at the Olympics. Every blotch of paint, in this artwork, is contributing towards the emphasis of a strong movement.

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Jumping Series - # 3 Painting

Majid Eskandari

Canada

Painting, Acrylic on Canvas

Size: 40 W x 30 H x 1.5 D in

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$5,760

Shipping included

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14606 Views

75

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Acrylic on Canvas. This painting is inspired by the high jump event at the Olympics. Every blotch of paint, in this artwork, is contributing towards the emphasis of a strong movement.

Year Created:

2015

Subject:
Medium:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

40 W x 30 H x 1.5 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Canada.

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Need more information?

Majid Eskandari is a contemporary abstract painter. He was born in Tehran, Iran and is currently living in Toronto, Canada. Majid, plus informal education based on a traditional master, received a BFA from Tehran Art University and a Diploma from Centennial College in Fine Art Studio. He has participated in several group shows in Tehran and Toronto. His work has also had the honour of having some paintings purchased by the President of Centennial for the College’s permanent collection. “Throughout my journey into painting, I have explored everything from non-representationalism through abstraction to high realism, for searching my true personal voice. The subject of my current paintings is usually people, animals, or some special objects, but I don’t try to show them realistically, I have used them simply as a subject matter, but very emotionally, loosely interpreting them to maintain visual interest. In other words, I look at the subject just as some marks in my paintings. Keeping the most of the canvas open and free is important to me – probably as an impact of the use of open in many oriental compositions on me.”

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Artist featured by Saatchi Art in a collection

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