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KERONCONG RINDU MALAM Painting

Adeputra Masri

Malaysia

Painting, Acrylic on Canvas

Size: 32 W x 36 H x 3 D in

Ships in a Tube

SOLD
Originally listed for $1,292

115 Views

2

ABOUT THE ARTWORK

Besides painting I also play music and sing. I play keroncong cello and sing a keroncong song with my fellow musicians. Keroncong music is Nusantara music derived from Java Indonesia. The keroncong instrument is double bass, cello, choke, cello, guitar, flute and violin. My work is my own portraiture singing with my keroncong band.

DETAILS AND DIMENSIONS
Multi-paneled Painting:

Acrylic on Canvas

Original:

One-of-a-kind Artwork

Size:

32 W x 36 H x 3 D in

Number of Panels:

2

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Born 1970 in Johor, before he was known as an artist (or even as Adeputra), Adeputra enjoyed a career as a popular cartoonist and illustrator. Inspired by Lat, he migrated to Kuala Lumpur after completing his secondary education and in the 1980s, drew for newspapers and magazines such as Gelihati. From 1990 to 1992, aside from drawing for popular humour magazine Gelihati, was producing social commentaries and editorial cartoons for Utusan Malaysia until 1995. "I love to observe society and people, I like to think," says Adeputra of his natural propensity that made him suited for the job from the get-go, and continues to address his artworks today.Two books were written by Adeputra during his editorial stint: Misnan dan Sarip (Misnan and Sarip) and a social commentary titled Dari Poket Seorang Kutu Lepak (From the Pocket of a Loiterer), in 1997. "My opportunities for growth were limited in comics as the magazines were too focused on humour, and when I created something symbolic, it was not well received," says Adeputra, "So I had to find a more meaningful platform." By the end of 1999, Adeputra had his first solo exhibition at the Legend Hotel, Kuala Lumpur. Being a self-taught artist, Adeputra believes in going against the grain, "Before this, in Malaysia only artists with formal education were able to produce mature works, while the rest depended on skill and were constrained by it, unable to produce anything innovative," Adeputra explains, "I had no formal education, I started art to escape from tradition by creating contemporary works. Those without formal education had to work harder to survive, and now I see they can even bravely step up to the spotlight." Interestingly, not only does he achieve his own artistic voice by seeking similarities more than differences, how Adeputra strives to go against the flow is by going back to his roots.When Adeputra first began to transfer his artwork onto canvas as paintings, like many others he thought about following a concept or style, however after several years he discovered that the best method was to stand tall by one's heritage and lineage. "I am born a Malaysian Javanese, I grew up surrounded by Javanese culture. The Javanese are the dominant ethnicity in Southeast Asia, as in Indonesia Nusantara," explains Adeputra, "Even in Malaysia, Malays are partly from the Javanese, and the origins of Northern Malaysian cultures such as batik are from when it was Majapahit and Sriwijaya.

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