VIEW IN MY ROOM
France
Painting, Oil on Canvas
Size: 19.7 W x 24 H x 0.8 D in
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"The portrait without model ..." The model for this portrait is a poor quality newspaper photography of small size : 3 x 4 cm printed on poor paper and yet the woman's face illustrating this written article was tremendously expressive. It was enough to suggest a painting. Will i be able to give an account with the painter's means of this strong and positive expression or at least not to betray it? It is about the artist and his "model" when "model'painting" is nowadays scarce, in a world where everybody's face is to be seen by everybody, in a world where the artist do not paint anymore in that classic manner. What's the point? Is it a meaningful to do that? I painted it two years ago. The article was about the Dr Laleh Bakhtiar and more particularly about her translation of the Quran. I learned that since this written article she died, a news that saddened me.
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:19.7 W x 24 H x 0.8 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:France.
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France
"Dyslexie, dysorthographie, dyscalculie..." was what i used to hear when i was a child, which drove me to a "Libre école Rudolf Steiner" where i had a very good time learning and dealing with drawing, painting, wood working, knitting...in a very genuine way. It was never called :"ART", but who cares ? The topic back then had more to do with the Cosmos, vitality, energetic fields, rythm, grows, states of minds, of evolution, self-control, harmony and balance, elements that i kept in mind as i became an artist. Later, i got a BA and a MA of art from the royal College of Arts and design London (1989) but getting "on the ball" is another story. My first commitment was with sculpture in free open spaces. I moved then to abstract painting bringing this habit of "making things" in the process of painting. Recently i got acquainted to figurative painting for its political aspect, the need to respond in a more concrete way to our troubled times.
Artist featured by Saatchi Art in a collection
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