









Painting, Charcoal on Paper
36.6 W x 46.5 H in
Framed
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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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This work belongs to the series "Pintujos", which is a word composed of two words: painting and drawing. It is a figurative series in a world of surrealist reverie. Strange characters amid absurd situations and black humor. It is a mixed technique made on paper glued on wood. With oil and pencils o...
Year Created:
2017
Subject:
Mediums:
Painting, Charcoal on Paper
Rarity:
One-of-a-kind Artwork
Size:
36.6 W x 46.5 H x 1.2 D in
Ready to Hang:
Not Applicable
Frame:
Other
Authenticity:
Certificate is Included
Packaging:
Ships in a Crate
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Spain.
Customs:
Shipments from Spain may experience delays due to country's regulations for exporting valuable artworks.
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Contact us.Rafael Romero Masiá was born in Santiago de Compostela, Spain in 1953.
ARTIST STATEMENT
I think that my painting is eminently visceral; I am unable to paint if my body does not ask for it. If not, I prefer to read or do any other activity. I need to see clearly an idea, a stimulus (the sidewalks of Lisbon, a dream, a new technique or a new support) that excites me and pushes me to work. Then I usually do series of 40, 50 or 60 works, until I think the reef is over and the work becomes repetitive and boring. When the work becomes routine then I suspend and rest and wait for a new inspiration. Between one and another days or even weeks may pass.
I conceive painting as a game, I have fun painting, although sometimes, of course I also suffer, when I don't get what I want. I like to investigate new techniques and materials (methacrylate sheets, newspaper, cardboard-pen, wood, old worn fabrics) that work with all kinds of materials (oil, acrylic, pigments, glues, waxes, greasy pencils or watercolor pencils) that work with brushes, spatulas, sandpaper, cutter, etc. Depending on the type of work and the result that I want to obtain, also always thinking about its durability.
I pass without much modesty from figuration to abstraction or even hyperrealism or surrealism. According to the inspiration or mood of each moment.
I think I'm not a colorist to use, that is, I like intermediate tones (gray, ocher, earth colors) more than strong and powerful colors, and in the figurative series I consider myself almost more cartoonist than a painter, while in the abstract series, what I try is to look for textures, shapes, tensions, color, balance, etc.
Recognition:
Artist featured in a collection
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