VIEW IN MY ROOM
Ireland
Painting, Spray Paint on Canvas
Size: 15 W x 18.9 H x 0.8 D in
Ships in a Box
A cold afternoon as a weak Autumn sun flickers, I drift into a deep induced sleep. Time is halted, the clocks stilled and the small-talk stops in time. The process of making and memories of this day bring about the particular textures, and gestures witnessed on the surface of this work. This painting is about time and dreams. The ability to stop and start the passage of time through consciousness and imagination. The pink light and texture take on their surroundings and the viewers own memories of a particular place and time. Space to project and dream on. The painting is on an artisan hand made linen on wooden stretcher and has a small hook on reverse for hanging. It is signed on the reverse.
Painting:Spray Paint on Canvas
Original:One-of-a-kind Artwork
Size:15 W x 18.9 H x 0.8 D in
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Ireland.
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Ireland
Rebecca Bradley’s practice investigates themes of landscape and memory through painting. By a process of studio and site based research, she explores how our sense of place is not certain but contingent upon what we believe and what we choose to remember. Her paintings reflect on, and evoke our lived and deeply subjective impressions of place. She salvages and embeds materials, such as rubble and sand, from these, often transitional sites, to build up surfaces that punctuate and disrupt the traditional two dimensional picture plane. For Bradley this process is a bid to archive a sense of instability, and alludes to the volatility of these landscapes from ongoing human and ecological interventions. “These are paintings that deserve to be viewed close-up and sidelong, so that we are reminded why it is that people still do and should and need to paint.”; Dr. Sarah Hayden, University of Southampton, excerpt from talk delivered on the occasion of the opening of Provisional View Exhibition, September 2015 “She uses found materials such as foxed paper and faded postcards to make quietly restrained paintings of gentle decay. The results at first seem muted and spare, almost minimal, but also present an absorbing investigation into the transitions between two and three dimensional spaces, using shallow relief, recession and torn, frayed layers.”; Sarah Kelleher, writer and curator, in Paper Visual Art Journal "Outstanding textural paintings based on landscape"; Aidan Dunne, The Irish Times visual art critic
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