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Laurel leaf in a circle Painting

Aleksandra Manzha

Kazakhstan

Painting, Oil on Canvas

Size: 7.9 W x 7.9 H x 0.6 D in

Ships in a Box

This artwork is not for sale.

30 Views

3

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Useful little things in my kitchen - fit perfectly on a round small canvas. The picture was painted from life, so it conveys the state of that moment as best as possible and will add comfort to your home! The work is painted with oil paints. Each painting is a single copy. Only the best materials a...

Year Created:

2021

Subject:
Mediums:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

7.9 W x 7.9 H x 0.6 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Kazakhstan.

Need more information?

Need more information?

My name is Alexandra Manzha, I am a Siberian artist, born in 1987. I have been drawing since childhood, studied at an art school, then at the Novosibirsk State Art College. As an artist, I wonder about the position of the border between childhood and maturity, about the nature of the concept of “adulthood” and “childishness.” Why does being an adult mean losing sensitivity, the ability to perceive something new? How do “uncles” and “aunts” grow out of children who are open, dreaming, and inquisitive? At what point does the radical change occur? Where is this point of no return and where does the “little prince” go? How is it that he squanders interest in other worlds? To maintain this childish perception of the world, I am attuning my inner sensory vision. It helps me to see the intangible, subtle matter. This barely perceptible auratic substance permeates everything in this world, connecting the incompatible. I use the metamodernist technique of oscillating between and beyond multiple disparate horizons. My characters strike a delicate balance between free will and flow, sincerity and irony, integrity and duality, clarity and ambiguity, and natural and magical. They are always looking for the truth, not hoping to find it. I explore the amorphous, intangible aura through the bodily shell. An aura is a certain substance, composition, and property that has yet to be revealed. I find unique ways to have an auratic experience without being repelled by this liquid substance.

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