Letter to Kandinsky. Four seasons. Autumn Painting

Since 1992 he has been the member of the International Federation of Artists attached to UNESCO. Since 2000 Alexander Oligerov has been the member of the Russian Union of Artists. Since 2009 he has been the member of Paris Union of Artist "Les Seize Anges" Alexander has worked abroad, speaks English. In 2004 at the international festival of arts "Master-class" in St.-Petersburg (president of festival was director of State Hermitage Dr. Mikhail Piatrovsky), Alexander Oligerov has won the first prize "Cap of the professional " in "The best painting" nomination. At the international Art-Fair «Open Art. Five Continents Artists Meeting» (Paris, 2007), of works of Alexander Oligerov represented art of Europe among 100 artists from the all world. In 2006 Russian State Academy of Art has awarded him the silver medal of Academy (for his pictures on the exhibition "250 years of Russian State Academy of Art). In 2011 at the international web competition of contemporary Russian artists in Italy "Made in Russia" (in the Russian year in Italy), Alexander Oligerov has won the first prize and then works of Alexander Oligerov represented contemporary Russian art on the exhibition in Milan (in gallery "Open Art Milan") In 2011 at the Moscow international competition "Art-Preview" Alexander Oligerov has won a prize of magazine "Russian art". In 2016 year at the biggest international competition of arts in Asia "Art Revolution Taipei" Alexandr Oligerov has won the Grand prize and Prize of Chairman of Jury (all prizes of the competition). In 2018 Russian Union of Artists has awarded him the Golden medal “Spirituality. Traditions. Skill.”. In 2019 - First place at the international competition Festival & Contest (Italy-Russia), which opened in Veliky Novgorod in February 2019 “International days of art in Russia” (Italy - Russia). "What really wins over in the works of Alexander Oligerov - that is the fact that he does not dresses up in anything. Because of wit brains or simple-heartedness he happily and seriously makes a declaration of love to the subject. A Man surpassed modernism. He could go further by the crooked and smooth path of contemporary Art, but thought it out and stayed in bounders oil Painting. His choice (I hope, deliberate). His right." Marina Koldobskaya, "The New World of Art" journal 4 (1999), Saint-Petersburg.