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Painting, Watercolor on Paper
Size: 29.9 W x 22 H x 0.1 D in
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ABSTRACT WATERCOLOUR PAINTING ON COTTON PAPER. UFRAMED MATERIALS: watercolour, pigments and salt on cotton paper "Arches cold pressed 640 gsm white natural" SIZE: 56 x 76 x 0,2 cm (unframed) YEAR: 2022 In the "Letting Go" watercolour series, I explore formation of organic shapes working with the dissolution of pigments, and metal oxidation* using salt. By mixing water with different types of salts on cotton paper, I create a colour palette and textures resembling those of human skin, decaying organic matter and imaginary other-worldly landscapes. Various sized white dots of unpainted surface build a dialogue between materials (pigments) and lack thereof (emptiness). The viewer is invited to experience presence and absence, randomness and control, remembering and forgetting. The first of the series 'Letting Go I' (2020) won the "Watercolour Prize" at the Royal West of England Academy's 168th Exhibition in Bristol. "Letting Go X" (56 x76 cm, 2021) was exhibited at London Art Biennale 2021.
2022
Watercolor on Paper
One-of-a-kind Artwork
29.9 W x 22 H x 0.1 D in
Not Framed
Not applicable
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Ekaterina Adelskaya (b. 1988, Moscow) is a Russian artist with Ukrainian roots, living and working in London. Her artistic focus is in sculptures and watercolours with a strong emphasis on exploring materiality, destruction and transformative processes. Since 2015, Ekaterina has exhibited her works in various prestigious venues, including The Royal Academy of Arts in London, The Royal West of England Academy in Bristol, London Art Biennale, CICA Museum, Moscow Biennale of Contemporary Art. Her works are held in private collections in the UK, Italy, and Russia. Notably, in 2020, her object 'Blurring' was included in CICA Museum's permanent collection, while 'Letting Go' won the "Watercolour 2nd Prize" at the 168th Annual Exhibition of the Royal West of England Academy. "In my practice, I frequently incorporate textiles, minerals/pigments and found objects, subjecting them to various forms of deterioration and destruction. The method of deconstruction plays a significant role as it often leads to the creation of something new, opening doors to uncharted territories in my research and experimentation. My investigation of materiality serves as a lens through which I decipher the intricacies of our world, enabling me to discover the complexities of human existence and its impact on the environment, particularly in the context of the current climate emergency. By embracing the transformative nature of materials I reflect on the impermanence, imperfection and fragility of life. I believe that the transformation of matter is an integral part of our existence — it is life itself. We constantly adapt, thrive and decay in a continuous flow of change."
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