VIEW IN MY ROOM
United Kingdom
Painting, Acrylic on Canvas
Size: 39.4 W x 39.4 H x 1.6 D in
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In this painting I tried to show the Cause of migration of people or Self-imposed exile . The four people that have a disappeared face are the most Major world powers of the nation and the king is a sign of a Puppet government which for them the peoples life doesn't matter and they don't evaluate peoples life. They are all watching people fighting and they are like the watchers of a football match and don't care for their lives and what is happening in their lives. And the woman which is going with a suitcase and colourful balloons is a sign of her sweet wishes and with the thoughts and hopes she has she is leaving her country. I used a shadow the opposite way of her to show that even though she is leaving her roots and family are in her country for always
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:39.4 W x 39.4 H x 1.6 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
AZIZ ANZABI: From politics to poetics. Between tradition and modernity: tapping into memorial exploration to nourish collective consciousness. By placing interiority and personal experience at the service of political awareness, Aziz Anzabi relentlessly questions the means we have to rethink the world in order to relieve sentiments of suffering. Experiencing Iran / Iraq War at an early age, Aziz Anzabi's encounters with iconic figures of Iranian contemporary art such as Bahman Moasses or modern poet Sohrab Sepehri radically impacted his vision. Embodying concepts of exile and oppression, Aziz Anzabi explores novel paths into the idea of free speech, shaping psychic surrealisms to awaken consciences to the violence of our over-standardized world. “I want to mix tradition into contemporary art because I think that Qajar art is the only style that is solely Iranian, with its own unique framework and techniques”. Navigating abstraction and figuration his works evokes a symbolic grammar, both biographical and collective. Anzabi's fantasized landscapes - his moving humans, his uncertain and distorted forms - are so personal that they become universal. They are in no way free from technology, quite the contrary: they would not exist without it. By borrowing from the ancestral Qajar tradition, Aziz Anzabi becomes both craftsman and alchemist. This clever mix of technical requirements linked to an approach of memory nourished by loss, gives life to powerful works : unconscious testimonies, timeless sequences questioning our immediate future. Aziz Anzabi is a fully committed lucid embodiment of a new form of violent poetic activism.
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