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"Like snowflakes on Water" detail of gold leaf on left side of painting
"Like snowflakes on Water" detail of flower on right side of painting
"Like snowflakes on Water" on wall showing 4cm deep edges
"Like snowflakes on Water" in situ
"Like snowflakes on Water" in situ
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Like snowflakes on Water Painting

Ele Pack

United Kingdom

Painting, Acrylic on Canvas

Size: 31.5 W x 31.5 H x 1.6 D in

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Originally listed for $2,310
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3513 Views
111

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About The Artwork

This painting is mixed media on 10oz cotton duck canvas, stretched on a robust 4cmdeep stretcher, with crossbar. I have used acrylic paint, spray paint, pencil, gold & silver leaf, and finished with an archival satin varnish to protect. I love this painting, and with the title I wanted to create not a literal meaning, but a suggestion of poetry. I love using the words "snowflake" and "water", and feel the snowflake relates to the detail, intimacy and delicacy of the painting, whereas water alludes to the large sense of space with the picture. I try to capture both these feelings within my work. Both the intimate, and the expansive. I also feel there is an affinity with Japanese art here, with the composition, and abstracted floral motifs. I hope this piece contains a darkness & drama, but also a warmth & sensitivity.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:31.5 W x 31.5 H x 1.6 D in

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Ele Pack received her degree from Loughborough College of Art. She now lives and works in Brighton. UK. She has work in private collections in Canada, the US, Japan and Europe. She has exhibited her paintings both nationally, and internationally. Her work has been exhibited by various UK galleries, and overseas in Germany, Sweden and the US. "I believe that visual language has a potent power, like music or literature. And it has the power to lift, communicate and transform. Using pattern and mark to create rhythm, I use a range of materials; paint, pencil, fabric, collage, metallics, and build up my paintings in a very organic way. I overlay layers of paint, mark and collage to build up the pictorial space. This creates glimpses, hidden spaces, things half_ shown, suggested. I use delicate layers of texture, drawing and colour to create an ambiguous space. The image is then worked and re_worked until the image is “found”. Only when a balance and integration is achieved I feel that the painting is finished. I like to think of them as “visual poems”. This sensual world is one to be absorbed, felt, and enjoyed. "

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