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View In My Room
Painting, Oil on Canvas
Size: 33.1 W x 23.2 H x 0.7 D in
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262 Views
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I like this arrangement very much. The way the orange fabric pulls the vase towards the centre. The lighting took a long time to get just right. I blocked out light from some area's and bounced it back in others to create the "chiaroscuro" effect. This painting has been on my studio wall for a whil...
2015
Painting, Oil on Canvas
One-of-a-kind Artwork
33.1 W x 23.2 H x 0.7 D in
Not Applicable
Not Framed
Certificate is Included
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United Kingdom
London-born, I have lived in Surrey since the age of four. After a twenty-two year career in catering managing the family’s small group of Italian-style cafes, I returned to my childhood passion, art. I have always loved to draw and paint. While in catering my spare time was scarce (and output was modest in the painting department) though I continued to fill up sketch-books. I did however manage to combine business and passion, in food photography. During my degree, my work was a combination of photographic images (film not digital) and silk screen printing, and as a competent photographer I made all my own advertising food images for the cafes and also worked as a freelance food photographer for others. In my previous home I built a dark room for developing both colour and black & white work. Some twenty years on, my artistic interests have changed. Then I was inspired by Warhol & Rauschenberg. Now its Jack Morrocco, Rubens, Titian, Boldini, Sargent and Sorolla. Its all about oil, not ink. In 2013 I left the catering world and began painting full time. I have concentrated on still-life and recently began to paint en plein-air. I usually spend six to twelve hours to set up a new still-life arrangement. As my work has progressed my attention to detail has also developed and I pay particular attention to lighting. I like to create deep shadows full of interest and bright highlights. Light and its affect on form is my inspiration. My technique is based on the Venetian method of painting. I start with a dark brown ground colour; I then sketch out my arrangement with white chalk and strengthen this with white paint producing my under-painting. Then begins the over-painting: layer upon layer of very thin glazes, sometimes up to fourteen layers to achieve the desired tone. Lastly, thick buttery impasto. I do not use any glaze mediums, thinners or dryers, only refined linseed oil.
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