1137 Views
14
View In My Room
Painting, Acrylic on Other
Size: 21.3 W x 20.9 H x 1.6 D in
Ships in a Crate
1137 Views
14
Review by: Jem Main, Director of The Study Gallery of Modern Art, Poole "Marie Laywine's paintings evolve over a substantial period of time - time spent capturing and reflecting on dreams - for years in some instances. "Red predominates; in alchemy, an expression of the feminine. The results are both extrordinary and enigmatic. References or clues to the subjects and the environments in which they exist are inter-woven. Sophisticated knowledge of form and colour theories underpins their execution. Each completed composition is simultaneously as tangible as it is intangible - a dream-like state. These enigmas are purposely designed to encourage the viewer to construct their own narrative from the coded information the artist provides."
Acrylic on Other
One-of-a-kind Artwork
21.3 W x 20.9 H x 1.6 D in
Not Framed
Not applicable
Ships in a Crate
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
United Kingdom.
Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
I was born in Canada and have been living and painting in the UK for 30 years. My studio is in Abbotsbury, a 600 year old village in south west Dorset. This is where I work and exhibit my paintings. Viewing is by appointment only. In my painting I work with what I call the 'interior landscape'; I use images and ideas from my dreams to help me represent visually the mountain ranges and coastal plains inside a person. It takes time and reflection to collect this information and then develop it as an image. I build the image up slowly on paper, board or canvas, using materials dictated by the image and its complexity. I apply the paint with a palette knife, followed by layers of transparent glazes. This process is repeated until the desired textural effect is achieved. This sometimes means that a work will remain 'in progress' for several years. I like to refer to this process as an "archaeological dig" on a psychic level. My travels were a period of time when I was able to increase my knowledge in both dream material, exterior landscape and culture. I have lived and worked in several very different parts of the world: Florence, Italy: home of the Renaissance Period; Quimper, Brittany, France: working with the dream symbol active in the exterior landscape. Middle East: the horizon line in the desert has similar characteristics with the dream - continuously changing in shape and movement. The Himalayas: dreams are very different at this height. This gave me the idea that there is a space where dream and life meet. Great Britain: exploring the space where dream and life meet and translating that information into an image.
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