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Oil on polyester. it is framed in black aluminium.  
Size framed: 31 x 44 cm

This paining belongs to a serie called "Ut Pictura Kinesis" it is a pictorial project that focuses on the relationship between cinema and painting, centring itself on the representation of landscape.
This painting claims to recover the intimacy of a gaze; facing the violent volley of images from the mass-media and the excessive, iconic consumption that lead us to saturation and boredom, a foggy, veiled and calm image is presented, seeking the recovery of the peace and calm that enable the observer to apprehend the indigestible assortment of images for contemplation.
The images in this project originate from cinema, with the film medium being translated into painting, an inversion of the traditional way, namely, that of classical painting influencing cinema. Polyester is used as support because of its relationship with celluloid, this being the way that the relationship between cinema and painting is highlighted. Time is evoked by means of different resources, with moving images being transformed into static images; they invite one to contemplate slowly and get beyond the first glance. One sees landscapes inundated by mist where you can only discern limited elements, enigmatic and subtle images that search for silence and a space for serene reflection. They pretend to generate questions but they do not provide answers.
Oil on polyester. it is framed in black aluminium.  
Size framed: 31 x 44 cm

This paining belongs to a serie called "Ut Pictura Kinesis" it is a pictorial project that focuses on the relationship between cinema and painting, centring itself on the representation of landscape.
This painting claims to recover the intimacy of a gaze; facing the violent volley of images from the mass-media and the excessive, iconic consumption that lead us to saturation and boredom, a foggy, veiled and calm image is presented, seeking the recovery of the peace and calm that enable the observer to apprehend the indigestible assortment of images for contemplation.
The images in this project originate from cinema, with the film medium being translated into painting, an inversion of the traditional way, namely, that of classical painting influencing cinema. Polyester is used as support because of its relationship with celluloid, this being the way that the relationship between cinema and painting is highlighted. Time is evoked by means of different resources, with moving images being transformed into static images; they invite one to contemplate slowly and get beyond the first glance. One sees landscapes inundated by mist where you can only discern limited elements, enigmatic and subtle images that search for silence and a space for serene reflection. They pretend to generate questions but they do not provide answers.
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VIEW IN MY ROOM

Longing for the sun Painting

Jose Antonio Ochoa

Spain

Painting, Oil on Other

Size: 10.2 W x 7.5 H x 0.4 D in

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SOLD
Originally listed for $1,280
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Artist Recognition

link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

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Artist featured in a collection

About The Artwork

Oil on polyester. it is framed in black aluminium. Size framed: 31 x 44 cm This paining belongs to a serie called "Ut Pictura Kinesis" it is a pictorial project that focuses on the relationship between cinema and painting, centring itself on the representation of landscape. This painting claims to recover the intimacy of a gaze; facing the violent volley of images from the mass-media and the excessive, iconic consumption that lead us to saturation and boredom, a foggy, veiled and calm image is presented, seeking the recovery of the peace and calm that enable the observer to apprehend the indigestible assortment of images for contemplation. The images in this project originate from cinema, with the film medium being translated into painting, an inversion of the traditional way, namely, that of classical painting influencing cinema. Polyester is used as support because of its relationship with celluloid, this being the way that the relationship between cinema and painting is highlighted. Time is evoked by means of different resources, with moving images being transformed into static images; they invite one to contemplate slowly and get beyond the first glance. One sees landscapes inundated by mist where you can only discern limited elements, enigmatic and subtle images that search for silence and a space for serene reflection. They pretend to generate questions but they do not provide answers.

Details & Dimensions

Painting:Oil on Other

Original:One-of-a-kind Artwork

Size:10.2 W x 7.5 H x 0.4 D in

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Contemporary visual culture has lost its capacity for contemplation. While seemingly art has moved away from outdated notions of beauty, my work argues that the sublime is overlooked in contemporary production. Through my painting, I intend to face the visual exhaustion fruit of mass media’s violent barrage of images. My optical silence claims the recovery of the intimacy of gaze, enabling the beholder’s contemplation. Paradoxically, my source of inspiration is precisely in pre-existing images; my works explore the way in which we relate to them. On the one hand, I’m interested in the narrative ability of images, ambiguity and Umberto Eco’s “open work”, on the other; I work with the concepts of mystery, veil, tragedy, beauty and the sublime. Lately, I have been enquiring into the relationship and mutual influence of cinema and painting. The images of my latest project originate from cinema, with film medium being translated into painting. An inversion of the traditional way, namely, that of painting influencing cinema. I turn to Cinema because its pictorial sense is given. It has already built that image and all the sequence in which the atmosphere of a painting has been put into motion. I explore the way in which film directors have dealt with pictorial concepts, particularly the sublime, and I try to find a way to translate it back into painting. By making use of appropriationism, decontextualization, and relating images from different sources, I intend to produce new and enigmatic narratives that generate questions but don’t provide answers.

Artist Recognition

Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in London

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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