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"Major Hobbitude" Painting

Kevin Cross, United States

Painting, Acrylic on Paper

26 W x 20 H in

Ships in a Tube

This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More

This artwork is not for sale.

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Painted with fluid acrylics, spray paint & charcoal on synthetic yupo paper. The first couple of layers involve drawing with charcoal and staining the paper with fluid acrylics. Then I mask out certain areas before covering with spray paint. Finally I begin the process of stripping back some of the ...

Year Created:

2014

Subject:
Mediums:

Painting, Acrylic on Paper

Rarity:

One-of-a-kind Artwork

Size:

26 W x 20 H x 0.1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

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Need more information?

Kevin Cross is an artist based in New York City. He was born and raised in Limerick, Ireland. In 2006 he moved to New York where he began his art practice. His work has been shown nationally and is held in private collections around the world. Artist Statement: Kevin Cross’s latest work explores the relationship between atmosphere and structure. Each painting begins with the gradual build-up of layered gradients, created through a slow, repetitive process that produces a sense of depth and quiet movement across the surface. Once this atmospheric field is established, Cross introduces geometric forms over the painting. These structures, often resembling windows, interrupt the gradient rather than contain it—creating a frame through which the viewer is invited to look more closely. The work shifts from being something you look at to something you look into. Repetition plays an important role in the process. Working to the steady rhythm of minimal electronic music, Cross enters a meditative state where the paintings evolve through subtle variations over time. This sense of flow is embedded in the surface, where controlled geometry and fluid color coexist. The result is a body of work that encourages stillness and attention—balancing structure and openness while inviting the viewer into a more immersive visual experience.

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