









Painting, Oil on Canvas
59.4 W x 66.1 H in
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This work is about the space, emptiness and fullness, form and texture.the canvas is freed from its rectangular form. Like all the 2020/21 works, this work is also about the joy, strength, loudness, playful noise, desire. I'm interested in exploring the intensity of colors while the simple primordi...
2022
Painting, Oil on Canvas
One-of-a-kind Artwork
59.4 W x 66.1 H x 1.2 D in
Not Applicable
Not Framed
Certificate is Included
Ships in a Crate
Shipping is included in price.
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Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Italy.
Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
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ITA/ENG
Biografia
Vive e lavora tra Perugia e Montepulciano. La sua ricerca artistica attraversa pittura, disegno, scultura e installazione, esplorando il rapporto tra forma, materia, spazio ed esperienza interiore.
Dopo una formazione classica, all’inizio degli anni Novanta si avvicina allo studio delle discipline orientali, approfondendo in particolare l’Ayurveda, il sanscrito e la letteratura vedica. Questo percorso diventa una componente importante della sua formazione e contribuisce a definire la dimensione filosofica e intellettuale della sua ricerca.
Nel corso degli anni si confronta anche con il teatro e l’opera, realizzando scenografie e costumi. L’esperienza amplia la sua riflessione sullo spazio, sulla materia e sul rapporto tra l’opera e l’ambiente che la accoglie.
Negli ultimi anni è tornato a dedicarsi allo studio delle discipline orientali, riprendendo e approfondendo un percorso iniziato oltre trent’anni fa e che continua ancora oggi a nutrire la sua ricerca artistica.
Artist Biography
Davor Ciglar lives and works between Perugia and Montepulciano, Italy. His artistic practice moves across painting, drawing, sculpture, and installation, exploring the relationship between form, matter, space, and inner experience.
After a classical education, in the early 1990s he began an in-depth study of Eastern thought and disciplines, particularly Ayurveda, Sanskrit, and Vedic literature. This experience became a significant foundation for the philosophical and intellectual dimension of his artistic research.
His practice has also extended into theatre and opera, through the creation of sets and costumes, enriching his exploration of space, materiality, and the relationship between the artwork and its environment.
In recent years, he has returned to the study of Eastern disciplines, revisiting and deepening a path that has remained an important source of inspiration throughout his artistic journey.
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