Painting, Oil on Cardboard
Size: 36.6 W x 46.5 H x 1.2 D in
Ships in a Crate
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Artist featured in a collection
This work belongs to a series "Abstractas Transparencias". It is a line with a wax pencil with organic and figurative shapes made on a sheet of methacrylate to achieve dimensionality and transparency on a foam board support that is prepared with oil, pigments, glues and oil pencils. It is a mixed technique. First, I work on the abstract background looking to integrate colors and textures to create a composition that aggravates me and on this I superimpose a line work done with wax pencils with elements of shape on a large sheet of methacrylate that gives me transparency and lets see the background to create a mixed sandwich composition that gives me a new perspective of depth, color and composition in a dual space. The work measures 100 (High) x 75 (Wide) x 0.8 (Deep) cm and with the wooden frame decorated and painted by me it measures 118 (High) x 93 (Wide) x 3 (Deep) cm. The work is signed in front and on the back and is delivered with a certificate of authenticity. It is ready to hang.
Painting:Oil on Cardboard
Size:36.6 W x 46.5 H x 1.2 D in
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Customs:Shipments from Spain may experience delays due to country's regulations for exporting valuable artworks.
Rafael Romero Masiá was born in Santiago de Compostela, Spain in 1953. ARTIST STATEMENT I think that my painting is eminently visceral; I am unable to paint if my body does not ask for it. If not, I prefer to read or do any other activity. I need to see clearly an idea, a stimulus (the sidewalks of Lisbon, a dream, a new technique or a new support) that excites me and pushes me to work. Then I usually do series of 40, 50 or 60 works, until I think the reef is over and the work becomes repetitive and boring. When the work becomes routine then I suspend and rest and wait for a new inspiration. Between one and another days or even weeks may pass. I conceive painting as a game, I have fun painting, although sometimes, of course I also suffer, when I don't get what I want. I like to investigate new techniques and materials (methacrylate sheets, newspaper, cardboard-pen, wood, old worn fabrics) that work with all kinds of materials (oil, acrylic, pigments, glues, waxes, greasy pencils or watercolor pencils) that work with brushes, spatulas, sandpaper, cutter, etc. Depending on the type of work and the result that I want to obtain, also always thinking about its durability. I pass without much modesty from figuration to abstraction or even hyperrealism or surrealism. According to the inspiration or mood of each moment. I think I'm not a colorist to use, that is, I like intermediate tones (gray, ocher, earth colors) more than strong and powerful colors, and in the figurative series I consider myself almost more cartoonist than a painter, while in the abstract series, what I try is to look for textures, shapes, tensions, color, balance, etc.
Artist featured by Saatchi Art in a collection
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