31 Views
2
View In My Room
Painting, Acrylic on Canvas
Size: 21.6 W x 27.6 H x 1.6 D in
Ships in a Box
31 Views
2
Showed at the The Other Art Fair
Artist featured in a collection
I was in love More than once The last being the heaviest Every inch, taken I was in love, once The longest cure Hold on a second Sit with them Hold them Not all love is kind - Like such previous works for Labour of Love 2021; Meaning of a Song too plays on polarisation. One where the artist releases and falls underwater in comfort and safety to explore deeper meanings behind actions of the subconscious and where we would reparent ourselves. What did we learn from our youth and how can we find a more fulfilling joy. On the other hand, the artist creates sparse, empty, unprimed cotton pieces with strong brush strokes which would be indicative of fixed, solid, learned statements and acknowledgement of embodied true masculine energy. In a world where success is seen as masculine comes in monetary form, accolades joint to capitalism, the artist taps into these traits (previously explored in her series Aries 2020) and how they follow through the veins of the divine feminine. The artist once again calls on her religious and spiritual beliefs in conjunction with stoic philosophy and Jungian psychology.
2021
Acrylic on Canvas
One-of-a-kind Artwork
21.6 W x 27.6 H x 1.6 D in
White
No
Ships in a Box
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Shumaiya Khan is an artist, writer, and creative. Born 1990, in Bradford, West Yorkshire to a British Bengali family, before moving to London to pursue higher education where she resides to this day. Khan comes from a design-led background, earning her BA Hons in Design from Goldsmiths, University of London. Although she has always painted, she only fully resumed her art practice in April of 2020. Khan is self-taught and her work has always had an element of experimentation with textures and motion within an abstract framework built to engage emotion within her audience. Within her earlier critical theory design work, this has translated into recording statistics in visually fluid, quantifiable, and measurable ways, via the use of ink, ceramics, and plants. Between 2010 to 2019, Khan’s sole focus was her creative & art direction roles within fashion, homeware, and beauty. Khan produces contemporary abstract expressionist pieces via the use of acrylic, charcoal, chalk, and poetry across canvas and paper. At times, especially with her larger-scale abstract pieces, pigment is worked and layered into pieces over a series of days or weeks. Different viscosities of pigment are considered, adding dimension and rich texture into the vast worlds, solar systems, and oceans she creates. In juxtaposition to her full-colour works, Khan produces fast-paced, raw canvas and paper pieces. Brush strokes and charcoal lines are created at different paces, some with more initially thought-through intention than others. Khan sees the physicality’s of her visual painting language working towards an ever evolving image in her mind. Khan’s work is based in emotional and metaphysical storytelling. Her practice explores juxtapositions around dynamic behaviours in the sphere of; the relationship with ourselves, feminine expression & sensuality, societal interaction, morality, innate faith & spirituality. Khan often calls upon the viewers to look inside themselves and ask what they feel. She has stated previously that she is compelled to create, being both a meditative and explorative practice for her. / Featured in 107 Female Artists You Need To Know in 2023, Curated by Lucy Donovan, / The SundayTimes / The Spaces Magazine
Handpicked to show at The Other Art Fair presented by Saatchi Art in London, London
Artist featured by Saatchi Art in a collection
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