VIEW IN MY ROOM
South Korea
Painting, Acrylic on Canvas
Size: 51.2 W x 63.8 H x 1.2 D in
Ships in a Crate
Artist Recognition
Artist featured in a collection
I was pondering on the linearity of time and space as I crossed the Tower Bridge in London. I wanted to cherish the moment entirely that day, so I started to take some pictures. However, I only realised it after I crossed the bridge, that even if I try to remember everything about that moment, once time has passed and once I start to move, those memories have changed, faded and remained selectively. Even so, taking pictures couldn’t prevent oblivion. It is an action of regret and lingering attachment. People take photographs to prevent being forgotten and to hold on to those memories. Numerous pictures taken from my travels eventually settled down in a folder. As I look through the album, I tend to find pictures that I cannot even recall when I took them. I can’t help but wonder if those reckless pressing of my camera shutter turned those memories into poison. My artworks and photographs are strongly linked. I came up with my current painting style inspired by film photography and I started by taking multi exposure pictures. To take this kind of pictures, I would shoot an entire roll as I normally would, and after the roll has been fully shot and wounded up, I would then reshoot with that same film. Back then I would bring my camera everywhere I go for a few days. And when I finally developed the film rolls, what I got were just white burned photos. As it turns out, for film cameras, light goes directly into film which is different compared to digital cameras. I realise that the photos should be shot underexposed, multiple times over to get a normalised exposure. Looking at those white photos, I can’t seem to recognise the overlapped scenes. Were these empty pictures? Or were they filled with scenes? Was my time and effort all for nothing? Would I be able to preserve these moments? The ‘Memory: Hollow Vessel’ series started from these questions.
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:51.2 W x 63.8 H x 1.2 D in
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:South Korea.
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South Korea
Erica Choi is a Korean artist who expresses memories in colour using pictures taken from her travels. She graduated Kookmin University (Seoul, Korea) in 2018 and now she is continuing her art journey with 3 solo exhibitions and participating in auctions in Korea. She also kept working on her artist’s journey in Malaysia, showcasing her art in art fairs and group exhibitions. After 3 short years in Malaysia, Erica returned to South Korea to continue pursuing her passion in art and is currently residing there. With the many memories and experiences she has gathered throughout her life, her art continues to evolve.
Artist featured by Saatchi Art in a collection
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