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Painting, Ink on Paper
Size: 12 W x 17 H x 1 D in
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Turning fragments of artworks in stock into an artwork. The base panel is dare not covered by Japanese paper to utilize the natural wood color, and the artwork is directly put on it to born gentle mixture of colors by the paper melting inside the wood. (The same for the side of the panel.) And I left a special thought on this artwork. "A3," the size indication printed on the side remains as it is without scratching off with sand paper. Because I thought that it was better to leave the print as it was, and that it was fun to leave an evidence to show there was a time when something called "A3" was produced, if this artwork remains after 100 years. As materials, hand crafted Japanese paper, fine quality thin Japanese paper for calligraphy and so on are used. There are pattern produced by ink stream. The letter in center is "Ka" of Japanese Hiragana character. Line on top is the extension from the upper letter. "Ka" character after the extension feels flapping a bird makes on landing, and bottom part of it looks the tip of bird's feet. Bottom part of the artwork has "Ya," "Na," and so on of Japanese Hiragana characters on front and back of calligraphy Japanese paper, and the letters are pasted on the artwork by rotating them to the left. My signature stamp is chopped not to have all lines of the stamp on paper, so that the lines won't be too congested to break the balance. When something shifts even for a bit, the balance on artwork breaks. But I think each part of this artwork doesn't interfere each other to accord into one. The title was decided by viewing the artwork. Time of a bird when it survives strongly by not being found by its natural enemy, emitting beautiful voice in cold wind and wild life until the last moment of life through is imaged.
Ink on Paper
One-of-a-kind Artwork
12 W x 17 H x 1 D in
Not Framed
Not applicable
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Japan.
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Hi, I'm Michiko. "Sho," the calligraphy which I naturally hold a writing brush for since childhood became what is free and rich in mind. The pleasure to get in touch with the calligraphy tools makes me feel I'm relied by them. I create my artworks with brush of fur for Japanese calligraphy, Japanese paper, and various Japanese Sumi ink by hand scratching Sumi brick with water on "Suzuri," (Sumi ink stone) I always feel that I wish to cherish the nature, as human being is let be alive by taking food from nature, that Japanese has had mentality to respect nature from ancient time, that the nature is in people's life, and that I wish to be a part of nature, as I myself like nature. Main materials of creation tools such as Japanse Sumi ink, Japanese paper, and drawing brush are of nature origin, and I prefer earth friendly materials, which can return to the earth, for my creation as much as possible.
Artist featured by Saatchi Art in a collection
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