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Menzogna e sortilegio Painting

Ambrosio Paolo

Painting, Acrylic on Canvas

Size: 31.5 W x 39.4 H x 1.6 D in

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$3,730

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ABOUT THE ARTWORK

What is the unique aspect of your artwork? 1970s - The works are divided by year of execution. They are performed with different and original techniques. (See Tintotela 1970s) 1980s - Illusion effects are linked to the purity of the gesture. The gesture-sign of IMAGE-ART gives a vertigo and relative vibrations. In the elaborate surfaces, spatial ambiguities stage visual reactions. 1990s--The intuition of the sign-gesture, the traces, lead to an oscillation and imbalance of the plans suggesting new realities. It is a misalignment that is a reason capable of giving an impulse since creativity does not exist without sensitivity. 1990s--The constant alternation in the use of thin toilet paper gauzes suggests the depth of space. The gauzes bring, despite an underlying and irreverent conceptuality, bundles of gestures that mature in the sign. -The GESTURE is incorporeal but matter is invited to suggest the graphic meaning and psychological coloring for a reality inside and outside of us.

DETAILS AND DIMENSIONS
Painting:

Acrylic on Canvas

Original:

One-of-a-kind Artwork

Size:

31.5 W x 39.4 H x 1.6 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

What is Ambrosio's message? Often starting from automatic drawings and working obsessively Ambrosio creates image attributes which find the expressive solution through awareness. The signs that make up the images are letters of an alphabet without grammar which do not find justification in the value of the individual but as part of a whole of communication. Through the Gesture-Sign the vibrations are activated which bring into the world a dynamic of the suspended reality of time. Traces of the crucial vigor of the Gesture-Sign are released in the spaces of the canvas What are Ambrosio's strengths? IMAGE-ART is an artistic practice that has been using the eye's ability to manage GESTURE since the 1970s. Ambrosio shows the GESTURE on the traces of the movement of the hand where an expressive form emerges, a SIGN that gives freedom to the GESTURE. In practice, the GESTURE ignites the resources and makes it possible to transpose the SIGN, the set of hopes of our desire, into the work.

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