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This is an acrylic painting on panel (1/4" thick Eucaboard mounted to a custom built frame). Panel provides an extremely smooth surface for paint application. The painting is 'wrapped' around the edges of the frame to provide visual interest from all angles. Flat, smooth areas of color are punctuated with thicker lines of paint applied with a palette knife. Gloss varnish is applied to protect the painted surface and edges and to keep the colors as brilliant as when first applied. Hardware for hanging is provided. 

In this series of paintings I have attempted to move beyond a literal depiction of landscape into a more abstract expression of the natural environment, emphasizing movement and energy through the use of color, line and form. I begin each piece with a digital sketch, layering transparent shapes that mimic simplistic clouds, hills and valleys or ocean waves. Lines that emanate from and slice through the central body animate the scene. Rhythmic repetitions of swelling shapes, like a visual representation of music, at times advance right off the pictorial edge, suggesting a continuation of form beyond what is visible; the sharp shapes, a counterpoint to the flowing undulations of the rest of the composition. I choose color gradually and intentionally, using contrasting values and gradients to reference generalized light and shadow, and imply depth with illusions of transparency. A final figure emerges; an abstract representation of the resilient energy contained in a body of water or earth. Hovering in an atmosphere of radiant light, it pliably harmonizes with the vigorous forces imposed upon it by its surrounding environment.
This is an acrylic painting on panel (1/4" thick Eucaboard mounted to a custom built frame). Panel provides an extremely smooth surface for paint application. The painting is 'wrapped' around the edges of the frame to provide visual interest from all angles. Flat, smooth areas of color are punctuated with thicker lines of paint applied with a palette knife. Gloss varnish is applied to protect the painted surface and edges and to keep the colors as brilliant as when first applied. Hardware for hanging is provided. 

In this series of paintings I have attempted to move beyond a literal depiction of landscape into a more abstract expression of the natural environment, emphasizing movement and energy through the use of color, line and form. I begin each piece with a digital sketch, layering transparent shapes that mimic simplistic clouds, hills and valleys or ocean waves. Lines that emanate from and slice through the central body animate the scene. Rhythmic repetitions of swelling shapes, like a visual representation of music, at times advance right off the pictorial edge, suggesting a continuation of form beyond what is visible; the sharp shapes, a counterpoint to the flowing undulations of the rest of the composition. I choose color gradually and intentionally, using contrasting values and gradients to reference generalized light and shadow, and imply depth with illusions of transparency. A final figure emerges; an abstract representation of the resilient energy contained in a body of water or earth. Hovering in an atmosphere of radiant light, it pliably harmonizes with the vigorous forces imposed upon it by its surrounding environment.

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11

View In My Room

Mercury Painting

michelle weddle

United States

Painting, Acrylic on Other

Size: 65 W x 36 H x 1.5 D in

Ships in a Crate

SOLD
Originally listed for $3,100

428 Views

11

Artist Recognition
link - Featured in the Catalog

Featured in the Catalog

link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK

This is an acrylic painting on panel (1/4" thick Eucaboard mounted to a custom built frame). Panel provides an extremely smooth surface for paint application. The painting is 'wrapped' around the edges of the frame to provide visual interest from all angles. Flat, smooth areas of color are punctuated with thicker lines of paint applied with a palette knife. Gloss varnish is applied to protect the painted surface and edges and to keep the colors as brilliant as when first applied. Hardware for hanging is provided. In this series of paintings I have attempted to move beyond a literal depiction of landscape into a more abstract expression of the natural environment, emphasizing movement and energy through the use of color, line and form. I begin each piece with a digital sketch, layering transparent shapes that mimic simplistic clouds, hills and valleys or ocean waves. Lines that emanate from and slice through the central body animate the scene. Rhythmic repetitions of swelling shapes, like a visual representation of music, at times advance right off the pictorial edge, suggesting a continuation of form beyond what is visible; the sharp shapes, a counterpoint to the flowing undulations of the rest of the composition. I choose color gradually and intentionally, using contrasting values and gradients to reference generalized light and shadow, and imply depth with illusions of transparency. A final figure emerges; an abstract representation of the resilient energy contained in a body of water or earth. Hovering in an atmosphere of radiant light, it pliably harmonizes with the vigorous forces imposed upon it by its surrounding environment.

DETAILS AND DIMENSIONS
Painting:

Acrylic on Other

Original:

One-of-a-kind Artwork

Size:

65 W x 36 H x 1.5 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

In 2021, Michelle's work was featured in the inaugural issue of ‘All She Makes,’ a new magazine supporting women in the arts, curated by , and the 14th Edition of 'Friend of the Artist.' Michelle is represented by Dimmitt Contemporary in Houston, Texas. She has several pieces currently hanging at Westward Gallery in Denver, Colorado through April 22. 2022. In 2020, Michelle showed with Mirus Gallery and 40 West Gallery in Denver winning ‘Best in Show,’ and an ‘Artistic Award of Excellence,’ with 40 West. Michelle’s work was featured in the Spring 17 Edition of ArtMaze Magazine, an international publication produced in the UK, and was included in ‘I Like Your Work Podcast’s summer exhibition titled ‘Congruence,’ curated by Bridgette Mayer with Bridgette Mayer Gallery. Michelle’s work was selected for an online show curated by artist Charlie Roberts for GIFC Worldwide, and was included in another online show titled ‘Artwork from Home,’ featuring work by artists from around the world, created during the pandemic, with Art Gym Denver in July. Her work was also selected by Max and Tanner of ‘The Tax Collection,’ for special mention with Create Magazine, online and on social media in September. Three large scale pieces were exhibited in a second 40West Gallery ‘Abstracts’ show at Colorado Mills between September 2020 and February of 2021.

Artist Recognition
Featured in the Catalog

Featured in Saatchi Art's printed catalog, sent to thousands of art collectors

Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in Dallas, Dallas, Dallas

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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