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Miniature «Sunflowers» Painting

Tatjana Cechun

Lithuania

Painting, Oil on Canvas

Size: 4 W x 6 H x 0.2 D in

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$350

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ABOUT THE ARTWORK

This amazing oil miniature embodies the Dutch style of realism with exquisite detail. Paintings of this style usually depict still lifes, and your work is no exception. The focus is on sunflowers, symbolizing joy and sunshine. An antique English vase that fits perfectly into the overall composition gives this miniature a special charm and elegance. It is not only a functional element, but also an important part of the historical context. Oranges and grapes, varied and juicy, create a feeling of abundance and abundance. They add dynamism and vitality to work, and also symbolize fertility and abundance. The painting is presented in a yellow frame, which perfectly emphasizes the brightness and warmth of the color palette. This choice of frame adds additional harmony and completeness to the work. Overall, your oil miniature embodies the Dutch style of realism with fine detail and attention to decorative elements. She is a wonderful example of a classic still life that will delight the eye and inspire viewers. Painting from the series of works “Still Life with Flowers”. Painted on canvas with oil paints of the professional "Master Class" series from the Nevskaya Palitra factory. Framed in Italian plastic. At the back there is a special device (hanger) for hanging on the wall. The only and original author's painting.

DETAILS AND DIMENSIONS
Painting:

Oil on Canvas

Original:

One-of-a-kind Artwork

Size:

4 W x 6 H x 0.2 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I was born in the capital of a small Baltic country in a family of artists 51 years ago. I've been drawing since I was a child, as long as I can remember. I was friends with a neighbor boy whose parents were also artists. That's why he and I grew up in a creative environment. Perhaps such an environment (poets, artists, musicians, artists) influenced my development. I drew always and everywhere, and often automatically (unconsciously) . At the age of 17, after graduating from high school, I, as is typical of young people, was a terrible maximalist. It seemed to me that I already know everything and know how to do everything. My parents wanted me to continue my studies at the Art Academy.

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