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Painting, Acrylic on Paper
Size: 16 W x 24 H x 0.1 D in
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The use of floral images can be often found in my work, with the moonflower being particularly fascinating rather than painting flowers literally I will often destroy or play with colours as part of story telling. I a captivated by the growth of the Moonflower, blooming at dusk and lasting only one night. the Moonflower symbolises resilience and hope in dark times. My flowers are bright and lifelike, though they often combine elements form various pieces, blended from different varieties. A recent DNA test revealed my ancestry includes people I know little about who journeyed to Barbados and Antigua and London- some of who didn't survive the voyage. At the bottom of the sea, my flowers are intertwined with remnants of chains, embodying the beauty and pain of my heritage. I aim for the metal and organic to sing in harmony as one.
2024
Acrylic on Paper
One-of-a-kind Artwork
16 W x 24 H x 0.1 D in
Black
Yes
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United Kingdom.
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United Kingdom
I am a London-based artist, born and raised in the vibrant heart of the city. My journey began with a focus on textiles, a passion that continues to shape my multidisciplinary work. I hold a B.A. Hons in Textile Design, and my creative practice explores the intersection of identity, heritage, and artistry. As a first-generation Black British artist, my work is a personal and narrative exploration of the complexities of identity, particularly what it means to connect African, Caribbean, and British heritage. My art delves into the challenges of navigating cultural identity—what does African heritage mean to a Caribbean person, and what does being Caribbean mean to a British person? These questions fuel my practice as I examine the idea of assimilation, asking whether it dilutes cultural legacies or strengthens them. My work is a celebration of the colors, patterns, sounds, and textures that define my ethnicity, but also an inquiry into how these elements merge and sometimes clash. Through painting, rug-making, digital drawing, and print, I explore how overlapping textures, patterns, and narratives can both harmonize and disrupt—much like the experience of cultural assimilation. My practice speaks to the complexities of being seen as “other” in spaces where artists like me are often overshadowed or tokenized. At its core, my work is a celebration of heritage and a bold statement about identity, belonging, and legacy.
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