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'Morning in Paris' details
'Morning in Paris' close-up of the buildings
'Morning in Paris' details expressive sky
'Morning in Paris' close - up of the Eiffel Tower
'Morning in Paris' zooming to the impasto technique applied

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Morning In Paris Painting

Natasha Chilingirova

United Kingdom

Painting, Oil on Canvas

Size: 39.4 W x 39.4 H x 1.5 D in

Ships in a Box

SOLD
Originally listed for $3,010

122 Views

33

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

I've always been fascinated by Parisian architecture and the atmosphere of this beautiful city. J'ai toujours faciné par l'architecture parisienne et l'atmosphère de cette jolie ville.

Year Created:

2018

Subject:
Medium:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

39.4 W x 39.4 H x 1.5 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

I studied Fine art at "St. St. Cyril and Methodius" University of Veliko Tarnovo, Bulgaria. In 2001 I obtained my master degree in painting with the speciality of Pedagogic of Fine Art. In 2003 I have completed an extra mural course of education for acquiring additional professional training in the speciality of Painting. My mentor was Professor Nicolai Ruschukliev. I thoroughly enjoy painting landscapes, interiors, still-life, figures and portraits. The oil impasto technique, provoke me to build a thick texture, often using a palette knife or finger strokes. Because of the vibrant and bold colours I use, a great part of the forms appear semi-abstract, less defined and expressive, until observed from a distance. With the portraits, I prefer to explore a more precise, realistic approach, as it helps me to reach the character of the model.

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