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Painting, Acrylic on Plywood
Size: 24 W x 48 H x 0.2 D in
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Mountains 48x24” acrylic, pigment dispersions, graphite on 1/8” plywood with crushed coal, shungite, pyrite, black Rhinestones, porcupine quills, rough garnets, glitter. Mountains is one of several pieces I’ve made in a series I call Tenebroso. Tenebroso delves into the profound depths of darkness, both literal and metaphorical, through a series of evocative paintings. The work explores the shadows that linger on the periphery of our consciousness, inviting the viewers to confront the enigmatic beauty within the obscurity. Each piece is a dance between light and dark, revealing the hidden narratives that unfold in the twilight realm. The compositions, born from the interplay of nature and night, provoke introspection on the complexities of the human experience-navigating the mysterious recesses of emotion, memory, and the unexplored corners of the psyche. In the rich tapestry of deep hues and muted tones, Tenebroso serves as a visual symphony that whispers tales of melancholy, desire, and resilience. This collection invites you to embrace the shadows, finding solace in the profound mysteries that reside within the natural world.
2022
Acrylic on Plywood
One-of-a-kind Artwork
24 W x 48 H x 0.2 D in
Not applicable
Yes
Ships in a Crate
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Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
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BIO Sunny Chapman retired from a 25 year career as a jewelry designer, performer and activist to focus solely on art making Chapman’s practice is based in Williamsburg, Brooklyn, and the Catskills. Her studio work has been shown in galleries largely in the Northeast, most recently at Equity Gallery, NY, NY. Metaphor Gallery, Brooklyn, NY and New Bedford Art Museum, New Bedford, MA. Artist Statement My artwork is deeply influenced by mystical practices like Sufism and Alchemy. The themes that emerge from these practices include doorways as portals to other universes, mysterious languages, and circles that symbolize the whirling of the dervish and the universe. Birds hold a special significance as they represent the link between heaven and earth, bridging the past and the present. Throughout my life, I've been obsessed with shape and color, and this passion is particularly evident in my current body of work, titled Shapeshifters. These works are crafted from plywood, typically cut into biomorphic shapes and then collaged and painted in bright colors. The painting style is influenced by the 1970s pattern and decoration movement, and often incorporates repeated motifs. Additionally, I'm working on a series of larger shaped wood pieces in shades of black. My connection to the natural world is strong, and I often find myself walking in the woods or near water. During these journeys, I collect stones, bits of wood, shells, bones, and natural fragments, which I incorporate into my larger black pieces. Drawings emerge from these walks as well.
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