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"Movers in Blood" Painting

Maziar Yoush, United States

Painting, Acrylic on Canvas

45 W x 45 H in

Ships in a Crate

This work will ship in a secure wooden crate. Read More

Shipping typically takes 5–7 business days

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$4,350

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

" MOVERS IN BLOOD " is visual artists life story. They are always surviving their life in the hardest way.

Year Created:

2014

Subject:
Mediums:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

45 W x 45 H x 2 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

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Born in Rasht, one of the northern cities of Iran, in 1979. I graduated from LA Film School with a bachelor’s degree in Graphic Design; however, painting has always been with me, and I continue it throughout my entire life, much like poetry and sculpture. In the process of creating artwork, I do not limit myself to any specific medium or material. Whatever best conveys my message to the audience becomes the chosen medium. That said, most of my recent work is painting, primarily acrylic on canvas. Art, for me, is a single unit and element through which I communicate—sometimes through sculpture, sometimes through painting, sound, or words in the form of poetry. I strive to reach the highest level of art through my work, a concept I call Astonishmentism. Astonishmentism represents the peak of creativity, where the artist does not force creation but instead observes the nature of the world and the logic of nature itself. In this approach, the material is irrelevant—anything can become a medium, and anywhere can become a place of creation.

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Erin Remington, Curatorial Director