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MUSICAL GRAFFITI 12 - TOTEM 2 Painting

Louis Gribaudo

United States

Painting, Acrylic on Other

Size: 17.6 W x 48 H x 1.5 D in

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About The Artwork

This is number 12 in the MUSICAL GRAFFITI series, and the second in the TOTEM sub category. In this series, Louis uses music and sound as the basis for visual interpretation. In the TOTEM paintings, the compositional emphasis is on vertical shapes that bring to mind American Northwest Native imagery, as well as musical notation. In paintings such as this, Louis defines abstract melodies with the line dividing the shapes as the melody. This is a beautifully subtle acrylic painting on Gatorboard. There are subtle variations in the areas of grey blue and copper that create movement and interest. The board is mounted onto a frame made of 1" x 2"s, and finished with white strips on the outside. This painting is perfectly suited to a commercial space or modern contemporary room...imagine descending a stairway with the painting hanging on the wall in front of you as you descend....wired and ready to hang.

Details & Dimensions

Painting:Acrylic on Other

Original:One-of-a-kind Artwork

Size:17.6 W x 48 H x 1.5 D in

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Louis is a Philadelphia, PA based artist and musician. "There is the idea of what a painting could be, then there is what happens while making the painting." "In my current work I employ a process driven call & response approach with the aesthetic goal of balancing shifting degrees of chaos and potential through the orchestration of organic and geometric structures. I am inspired by diverse sources: patterns (natural & man-made), sound waves, cycles, waves, frequencies, urban decay, architectural artifacts, geometry, geology, astronomy, tribal & corporate symbols, icons, technology and commercial graphics. By making art, I endeavor to reveal the mystery that is common to them. I am drawn to the history of things; to the possibility of different outcomes based on combinations of planned decisions and random events. I am intrigued with how small, repetitive actions consistently applied over the course of time, create complex systems that are greater than the sum of their parts. My approach is exploratory, reactionary and cathartic. I start with a concept, and follow the cues that the painting process gives me, often using unpredictable means to apply and remove paint, recycling, re-purposing and repositioning. Some decisions are planned, some are not. The result is the consequence of my reactions to previous actions. This process leads to reinvention and discovery, erosion and re assemblage; a play of deliberation and chance." His paintings and commissions are included in many private collections.

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