165 Views
29
View In My Room
Painting, Oil on Canvas
Size: 11.8 W x 15.7 H x 1.5 D in
Ships in a Box
165 Views
29
Artist featured in a collection
Angela’s central thesis is connected to a notion of ‘home’, a theme explored from many different perspectives and one she continually returns to. In this new body of work she glimpses into the past by digital means to see a facsimile of the place in the 1940’s that her mother called home. Helping her to create a pastiche of that time. ‘Having visited an area of London and videoed images I wanted to see what the same area looked like when my mother was born there in the 1940’s. Bermondsey in the east end of London was full of tenement buildings housing large families in cramped conditions. Edwards new work is full of nostalgia for a bygone era and the work is based on video of a well know drama series set in the east end of London during the 1940’s. She is fascinated by the idea of being given a virtual glimpse into a bygone era. From the dock workers of which her grandfather was one, to the tenement buildings with washing strung between them and kids playing in the streets. We can experience the era by means of a kind of digital time travel transferred into paint and charcoal.
2019
Oil on Canvas
One-of-a-kind Artwork
11.8 W x 15.7 H x 1.5 D in
Not Framed
Not applicable
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United Kingdom
I am a painter living in the UK. I have a studio at Town Quay Studios in Shoreham, West Sussex. In the twenty-first century it is always interesting to see a fine artist conflating traditional materials with new technology. This is the case in the work of Angela Edwards whose prime medium is oil paint on board or canvas and sometimes charcoal on paper, with the methodology of her subject matter coming directly from digital media, such as video, streamed images and often the use of her iPhone. Angela’s central thesis is connected to a notion of ‘home’, a theme explored from many different perspectives and one she continually returns to. This ranges from captured images of people returning home from their work environments to the movement of people across continents, namely refugees and asylum seekers – all the representation of people in her work are seeking the solace of home and belonging. The representation of people moving through defined spaces, also gives focus to the notion, that while we weave in and out of the spaces of our daily life, there is often a lack of consciousness of critical issues that are occurring in the larger world, thus a certain alienation. This is evident through the digital layering and shadowing of the images, where the ‘real’ is transformed, into a type of hyper-real, namely, a simulacrum, where a work is not presented as a copy of the ‘real’ but becomes, via the transformed image, a truth in it own right. By Pauline Ford (Art historian) All work © Angela Edwards 2020
Artist featured by Saatchi Art in a collection
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