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Thierry Vobmann


Painting, Acrylic on Cardboard

Size: 11.7 W x 16.5 H x 0 D in

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About The Artwork

This work is made on a cardboard sheet 300 gr/m2, without coloring, revealing in the background, the fibers of the wood that compose it. The goal is to present a painted work retaining a raw appearance, by offering a support that evokes its natural origin. This results in harmony and an increased ease of integrating the artwork into a variety of interior design styles. The standard A3 size of 42x29.7 centimeters will allow you to frame the artwork in any A3 picture frame of your choice. It will suffice to place the cardboard sheet in the frame, without the glass, in order to avoid unwanted reflections. The framed photos are offered to you as a suggestion, the work will be delivered to you without a frame, leaving you complete freedom of choice. Thierry Vobmann is a professional artist referenced on several quotation sites. His works are present in many private collections, in about twenty countries. The artist has been selected and has participated in international art fairs, including Art shopping at the Louvre in Paris and Artexpo in New York. His works are published in several art books in Europe and the United States. Thierry Vobmann has won several awards for his work.

Details & Dimensions

Painting:Acrylic on Cardboard

Original:One-of-a-kind Artwork

Size:11.7 W x 16.5 H x 0 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Thierry Vobmann is a professional French artist who lives in Brittany, the most westerly place on the European continent. In his studio, he creates paintings on canvas and sculptures in wood and metal. For more than ten years, he has devoted himself almost exclusively to abstract painting because he has set himself the goal of expressing everything that does not have a physical appearance such as sounds, smells, warmth, feelings, the wind ... He realized that finally most of the factors that govern our lives and our behavior were not visible but noticeable. Thierry's approach logically was to remove the image of the real to keep only the essential: the pure and universal emotion. During his first year of work in abstract expressionism as this style is commonly called, Thierry has developed his own style which is abstract but in which he slides as often as possible reminiscences of figurative techniques such as perspectives, shadows, lights. He constantly seeks the balance of volumes, textures, colors, movements in order not to disturb the expression of the feeling. His works are not smoothed. They are sometimes violent, colorful, and spicy, but always in order to accentuate the desired expressiveness. During this year of setting up, Thierry totally immersed in the construction of his art, declares that he began to make dreams he said “Sometimes, when I sleep, I receive as a message, a very precise vision of a work to paint. Everything is there, the visual, the title and regularly even the written description of the painting. So I wake up and look for paper and pencil to take notes or sketch because in the morning I will not remember anything. “ Thierry also states that it happened to him, when he was very calm and tired, because Thierry frequently paints at night, to make a painting that once completed, seemed totally foreign to him. He knew he had painted it but, his hand had been guided, at no time had he thought about what he was doing, he had done it. These dreams and the feeling of being assisted in his creation brought Thierry into the search for a universal energy, a vital energy that governs everything we know, that influences our life and our decisions. Thierry's evolution from the representation of the impalpable to universal energy has led him to the experience he is now leading. He seeks to voluntarily connect to these powerful external forces. This is what he calls "Blind painting experiment".

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